I'm in the mood for something different this week. Rather than focusing on individual nights or programs, let's just hop through the issue and see what we can find.
Here Isn't Lucy: Dwight Whitney reports that "When Lucy Ball showed up for a benefit in Oklahoma City's 12,000-seat Taft Stadium, she took one look at the sparse crowd (variously estimated at from 800 to 2400) and blew her stack. Somebody goofed, she wailed, by failing to publicize the thing. But that didn't stop Lucy from goofing herself. She refused to go on, thereby garnering some of the worst press a major TV star has yet to achieve, and leaving herself open, with good reason, to the charge that she didn't love her fans half as much as they loved Lucy."
A Song in His Heart: Ernie Kovacs returns to television in an NBC special Friday night (8:00 p.m. ET) called "Kovacs on Music." It's included in the first volume of the Ernie Kovacs Collection put out by Shout a few years ago. (And if you don't have it yet, why not?) The show is every bit as surrealistic as you'd expect from Kovacs, including an extremely abridged version of Swan Lake performed by dancers in gorilla suits, a truly weird bit about a singing commercial with Louis Jourdan as one of the singers and Andre Previn as the conductor, and a very funny skit with Edie Adams as part of an American troupe putting on a televised operetta on Italian television. But Adams, who had a beautiful voice, also sings a lovely number by Heitor Villa-Lobos, and Kovacs displays his serious knowledge of classical music. It's a good thing the show's available, though; the TV Guide listing gets several descriptions wrong, including putting the Nairobi Trio in the operetta skit. Oh well.
|There are eight million stories down there.|
And They're Off! Sports highlight of the week is the Preakness Stakes, second jewel in horse racing's Triple Crown, telecast live from Pimlico in Baltimore. As opposed to the marathon coverage given the races this year on NBC and NBCSN, CBS's telecast is a mere half hour (5:30 p.m. ET), with Fred Capossela calling the race, Bryan Field on color, and Chris Schenkel doing interviews from the winner's circle. Tomy Lee, the Kentucky Derby winner two weeks ago, is passing up the Preakness and the final race, the Belmont Stakes (his British handlers thought the racers were run too close together), leaving Royal Orbit, a "fast-closing fourth" in the Derby, to take the run for the Black-Eyed Susans.
Allen vs. Sullivan: We even have a rare appearance this week of our Steve Allen vs. Ed Sullivan matchup. Both shows air Sunday nights; Steverino starts things off at 7:30 p.m. on NBC with his guests, comedian George Gobel, singers Diahann Carroll and Vaughn Monroe, the Pensacola Naval Air Training Center Cadet Choir, and the Nicholas Dancers. Ed counters at 8:00 p.m. on CBS with Louis Prima and Keeley Smith; comedians Shelley Berman, Jack Carter and Frank Libuse; singer Al Hibbler; dancer Conrad "Little Buck" Buckner; trick violinist Baron Bulka; and the United States Military Academy Cadet Choir. Both shows have good lineups tonight (aside from the probability that the country has now been left undefended due to the Army and Navy being on television), but in this case I think I'm going to have to give the edge to Sullivan due to Berman's comedy, and the talent of Louis Prima and his then-wife, Keely Smith. In case you haven't ever had the opportunity to see them, here's a clip - could well be from this very show.
So Who Did Discharge Bilko? Since the question's on the cover, we'd better try and provide the answer. The Phil Silvers Show, originally known as You'll Never Get Rich but known colloquially as Bilko after Silvers' character, scheming Master Sergeant Ernie Bilko, has long been regarded as one of the great sitcoms of the Golden Age, and so it may come as something of a surprise to learn that the series ran only for four seasons, and 1959 marks the end of the road. What happened? According to Silvers, who perhaps protests a bit too much, it's because Camel, his main sponsor, is so closely identified with the series, even tailoring the spots to fit the platoon, that secondary sponsors ("You can't do a weekly show like ours these days without two sponsors.") never felt they were getting as good a deal. When his most recent second sponsor, Schick, left the show, CBS wasn't able to find a new one. Of course, he adds, "I don't think CBS tried too hard to sell us. But as I said, I'm not sorry. I'm tired of the role and of the constant grind." Fortunately for the network, Westinghouse just happens to have wanted to move their show, Desilu Playhouse, to the Silvers timeslot all along. So all's well that ends well, I guess.
What Else Is Worth Watching? On Friday night, ABC's Walt Disney Presents (8:00 p.m.) features two delightful cartoons based on British author Kenneth Grahame's wonderful children's stories: "The Wind in the Willows" and "The Reluctant Dragon." Basil Rathbone is among the voices for the cartoons. The long arm of the law has yet to catch up with Charles Van Doren, so he's still one of the hosts on Today each weekday morning on NBC. Alan King, Dorothy Collins, and the Dukes of Dixieland are guests on The Garry Moore Show (CBS, Tuesday, 10:00 p.m.). Claudette Colbert hosts the premiere of Woman!, a series of occasional hour-long afternoon dramas airing on NBC. Tuesday's question: Do They Marry Too Young? A Monday spectacular airing on CBS at 8:00 p.m., "America Pauses for the Merry Month of May," is hosted by Burgess Meredith and takes viewers around the country to celebrate "Maytime," including Larry Blyden in Teaneck, New Jersey; Molly Bee in Mobile, Alabama; Art Carney in Douglaston, New York, and Marion Anderston at Yosemite National Park. Finally, on the aforementioned Desilu Playhouse (still on Mondays at this point, 10:00 p.m, CBS) the aforementioned Lucille Ball plays a dancing teacher who learns she's inherited a boxer from her late uncle. Imagine her surprise when the boxer turns out to be not a dog, but a prizefighter!
She's also no-nonsense when it comes to making the show: for years she'd been bothered when shooting stopped in order to reset the lights and move the camera in for a close-up. "Get a boom," she'd tell the director, to which the answer was always the same - it's too expensive to rent. Finally, she'd had enough, and told them to buy a boom and rent it out when they weren't using it. "Let somebody pay us rent for it." It's now paid off and bringing in extra dollars. If the show's budget can't afford a particular guest star, she tells them to take the difference out of her own salary. She gets an allowance of $20 a week in cash, and that's good enough for her. Quite a gal, all in all. But maybe we could all chip in a little more to buy her a better hat?'