July 8, 2016

Around the Dial

J
oanna at Christmas TV History has started her annual "Christmas in July" postings, this year providing Christmas memories from other bloggers. Yours truly will be appearing later in the month, but in the meantime please go over to Joanna's site daily and check out these wonderful pieces!

The Hitchcock Project continues at bare-bones e-zine with a look at the fourth season episode "Invitation to an Accident," one of those I haven't seen yet. I'm working my way through Season Four now (well, not right now) so it should be coming up soon.

If life's getting you down - and after this week who could blame you - David at Comfort TV tells one and all how to have a groovy classic TV summer. Right now I think we need it.

One of the reasons I tend to like British police shows  (as opposed, for example, to amateur sleuthing mysteries) is because the grittiness is combined with an elegance, a sense of the world that I often find missing in American counterparts. Injustice, the latest at British TV Detectives, is another grim piece from the creator of the great Foyle's War.

The Horn Section is back with another Maverick Monday, returning to the episode "Prey of the Cat" with Jack Kelly as Bart. It's a rare Maverick episode, written specifically for the program (i.e. not recycled from another Western) that substitutes a tense suspense drama for the series' trademark humor.

Lincoln X-ray Ida is in a reminiscing mood as well, with the Adam-12 episode "Million Dollar Buff." Despite its light-hearted moments, it reminds us (as if we needed it) that police work is dangerous business. As for Martin Millner's character checking out an attractive blonde at the beginning of the episode, what does he think this is - Route 66?

As you know, I've been nursing a grudge against the BBC since their sacking of Jeremy Clarkson as host of Top Gear. This week we learned that Chris Evans, the revamped show's new host, has already left the ratings-challenged program after one season; we also get a chance to read about what a jerk Evans is. I wonder if the suits at the BBC are asking themselves in retrospect whether or not Clarkson was really that bad after all?

That's it until tomorrow - see you back here then. As Dave Garroway would say, "Peace." TV  

July 6, 2016

The past, brought to you by the present

It would come as no surprise, to me at least, to find out there are actually people out there who look at us classic TV aficionados and think that, well, we're maybe just a little batty. They look at our dedication to fifty- and sixty-year-old shows and think (not always without good reason) that some of us take it a little too far, that we've carried our appreciation for the past to a point where we're in danger of rejecting the present altogether, as something from which no good can come. To them we spend our days shut up in dim, dusty rooms living in our own personal twilight zone.

I imagine this is probably true for some people, at least once in a while. I have my own moments, when I’d like nothing better than to say the hell with it all and retreat to a world painted in sepia tones where all the television shows are in glorious black-and-white. (And, to top it off, I can open the window and yell at kids to get off my lawn.) On the other hand, in the world of today we don't have to worry about polio and many other diseases that terrorized people in mid-century America, we don't have to spend hours cleaning clothes and dishes by hand, we don't have to wrestle with cars lacking power steering - I'm sure you get the drift. The mere fact that you’re reading these very words right now wouldn’t have been possible back then.

But let's bring this closer to home, to the world of television. It's true that I watch very little contemporary TV other than sports, news, and the odd documentary or recent movie.* If it weren’t for my need to stay current, we’d be prime candidates for cord cutting; between our DVD collection, YouTube and Amazon Prime, we’ve got more than enough content to last us through a reasonable lifetime, or until the State comes to get us, whichever comes first.

*Though it is worth pointing out that the show at #1 on my hit parade is a current series, although I've shifted my allegiance from Top Gear to The Grand Tour.

And with that last paragraph, I’m about to prove my point – that it is, in fact, quite impossible for any classic TV buff to completely reject the present, for it is only the present that gives us access to the past.

I got to thinking about all this from a Terry Teachout column last week, in which he pointed out how it was much too easy to take the present for granted, that many of the things we enjoy without thinking would have been quite unthinkable back in the very days to which we keep returning. And as he talks about how back in the day every television show was "appointment television" that required you to make real decisions in your viewing choices because you only had that one chance to see it, no recording or going back later to catch what you missed or what was on the other channels.

I remember those days, and for all that we talk about the quality and content and charm of television back then, I have no desire to revisit the technical limitations that existed alongside those great shows. Which brings up another point: it is, after all, the evolution of technology that makes it possible for us to travel to the past in the first place.

Think about it: from the ability to record and replay, to the video tape and DVD, to streaming services that operate on machines you can hold in the palm of your hand, to subchannels that give us a windfall of classic programming - you can watch, over and over again, a history of television that goes back nearly 60 years. You can watch them free from the constraints of time and proximity to a television, free from having to choose between two desirable offerings, free to see programs that aired before you were born, or never made it to your viewing area when you were young. Is this great or what?

It's that technology that is responsible in great part for fanning the flames of nostalgia, for creating a demand for classic television that has expanded the choice far beyond the standard hits of each decade. For every Star Trek, I Love Lucy, Hogan's Heroes or The Dick Van Dyke Show that has been on pretty much as long as television has been into reruns, there are shows like The Four Just Men, Combat, The Fugitive, The Loner - series that had a short run, or never played much in syndication, or held a reputation for greatness based on their original run but hadn't been seen since. If technology hadn't succeeded in bringing us the most popular shows, it's unlikely the resulting demand for more would have caused companies to go into their vault for more obscure or seldom-seen series. It's unlikely the classic subchannels would have been seen as profitable ventures. It's unlikely an entirely new generation of fans would have grown up loving shows like Leave It to Beaver and Father Knows Best. It's unlikely that groups of fans devoted to particular series would have emerged, sharing information and creating a far more complete picture of a given show than had ever existed before. And it's unlikely that we ever would have experienced the picture and sound quality that far surpasses even that from the original airing. In other words, it is only because we are around today to benefit from this technology that any of these experiences are possible.

Not surprisingly, it's my contention that we're better off for all this, for the chance to see and learn from shows of the past, to be reacquainted with the stars and celebrities from other eras, to share the moments and memories that link us to our common history. These people, their shows, the images contained in them, the scripts from which they worked - all of these things deserve to be preserved and shared. And in each case, it's technology that makes it possible.

So if you're inclined to think of me as someone who lives in the past, think again. I don't apologize for my viewing habits, for my embrace of an era which, in many ways, seems superior to our own. Because it's only the perspective provided by the present that allows one to make such value judgments, that just maybe shows us every once in a while that things weren't all that good back then, that not every show in black-and-white is a winner.

Stuck in the past? Me? Nonsense! Better to think of me as a traveler, one who journeys daily between the past and the present, with an occasional look into the future. If these trips are at times sobering ones, they're also frequently exciting, thrilling, and immensely satisfying. Most important, they allow me to enjoy something that would have been impossible to fully experience for those who actually lived in the past.

It is the past, brought to you by the present - a present that I am only too happy to inhabit.

July 4, 2016

What's on TV? Wednesday, July 6, 1977

First of all, for those of you in the U.S., a happy Fourth of July! Old joke: What do they call today in England? Answer: The fourth of July, just like they do everywhere else! Ha!

Seriously, on Saturday I took a look at the Independence Day programming in Atlanta, as well as the budding superstation WTBS, which was then known as WTCG. I don't have a great deal of additional background on TV in Georgia's largest city, so we'll get right to the listings, and if any of you out there have anything to add, please feel free to chip in!

July 2, 2016

This week in TV Guide: July 2, 1977

Is this the first time the blog has visited Atlanta? I think it might be. I don't know much about the area's television, but I do know that Atlanta is home to independent Channel 17, WTCG, and the "T" stands for Turner, as in Ted Turner. It was only last year that WTCG became the nation's first superstation*, beaming its signal into Nebraska, Virginia, Kansas and Alabama. Next year, WTCG will change its call letters to WTBS, later shortened to TBS, and the station that was once primarily known as the home of the Atlanta Braves will become part of a powerhouse media giant that grows to include TNT, TCM, CNN, HLN, Cartoon Network, Boomerang, and others.

*The first being HBO, whose owner, Time Warner (as the always-reliable Wikipedia reminds us), would eventually own TBS as well after its purchase of the Turner broadcast empire.

It's funny though; looking through the listings, there doesn't appear to be anything special about their shows. Star Trek, Perry Mason, Dragnet, Here's Lucy and Night Gallery are some of the familiar titles that appear during the week, and the movies that the station offers are good, watchable films, but not any more than those shown by 11 Alive, WXIA. The most notable, and most unique, programming from WTCG is Atlanta Braves baseball, with three games on this week, and it will be the station's coverage of the Braves over the years that will lead to Ted Turner's club being billed as America's Team. We don't even have "Turner Time" yet, the practice where all the network's programs were started at five minutes after the hour and half hour, rather than the traditional top and bottom. In other words, it's an absolutely conventional television station, with no clue of what it's to become.

When Andy Messersmith played for the
Braves, he insisted his nickname was
"Channel." Nice ad for the station, hm?
It's a bold move for Turner to take WTCG national, in essence becoming the nation's independent channel, when there were two other independents in Atlanta alone, and it was only the smallest markets that lacked even one indy station. But by working slowly, building his viewership with these markets (most of them in the Midwest and South), and offering the Braves to baseball fans (many of whom were without a team in their own market) at a time before ESPN, the station continued to grow and grow.

We often read about stars before they became stars, or see mention of a new series in development that goes on to become one of the all-time classics, but this may be the first time we've seen a network in its formative years, while it was still mostly a local station, before it hits the big time.

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Besides the Braves, we've got some other sports on hand, the biggest of which being Wimbledon. We're still a year away from NBC's live broadcast of the finals, but the network has dramatically expanded its Saturday coverage to 6½ hours, carrying both championship matches in their entirety, rather than via highlights as has been the case in the past. It all starts at noon (ET) with coverage of the women's final, taped Friday, and this must be the week for seeing the birth of future stars, as Martina Navratilova wins her very first Grand Slam championship, defeating Chris Evert in three tight sets. This is followed at 2:00 p.m. by the men's final, played earlier Saturday, in which two-time defending champion Bjorn Borg destroys former champion Jimmy Connors in straight sets.

Because of Wimbledon's control over the airwaves, the baseball Game of the Week is pushed all the way to 11:30 p.m., preempting Saturday Night Live - good thing it's a West Coast game between the Giants and Dodgers. Even at that, the game won't be starting until 8:30 their time. Since I lived in the World's Worst Town™ at the time, I doubt we even got it. Some schlock local movie, probably.

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SOURCE: HADLEY TV GUIDE COLLECTION
In the "what's old, what's new" category this week, the "new" is Fernwood 2 Night, the bizarre spinoff of Mary Hartman, Mary Hartman, starring Martin Mull and Fred Willard as the host and second banana, respectively, of a talk show set in the fictional hometown of Mary Hartman, Fernwood, Ohio. The idea of getting nationally-recognized celebrities to appear on a quasi-public access talk show is as wonderfully absurd as is the idea of those same celebrities dropping in to SCTV's Melonville to appear on "The Fishin' Musician." It was apparently a little too absurd for some, as for its second season, the show changed it's "location" to California and its name to America 2-Night, in order to make the celebrity appearances more plausible.

Like Mary Hartman (and the real-life shows it parodied), the two "2 Night" shows were aired five nights a week, which means that despite the relatively short run (a total of about seven months), around 130 episodes were produced, thus accomplishing the "100 episode" gold standard. Question for the readership: do you think this program wound up being better-known than Mary Hartman?

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Fernwood 2 Night debuts on Monday, which coincidentally is the Fourth of July. This year's Fourth has a hard act to follow, coming as it does one year after the Bicentennial Fourth, a day which dominated the entire television schedule on all networks. In fact, it's such an impossible task that CBS doesn't really even try, making Our Happiest Birthday (8:00 p.m.), an hour-long retrospective of last year's celebrations, the centerpiece of this year's programming. In turn, the centerpiece of the retrospective is the look back at the tall ships from around the world that sailed down the Hudson River before a crowd of over five million people. Walter Cronkite hosts the show, which includes highlights of other festivities from last year, including the Boston Pops concert* that drew a million people to the Esplanade, along the banks of the Charles River.

*Fun fact: Although it seems like a tradition that has been around forever, it was only two years before that Bicentennial concert - in 1974 - that Pops conductor Arthur Fiedler introduced the practice of playing a piece that included bells, fireworks and cannons blasting, something he envisioned as "All hell [breaking] loose." That was, of course, Tchaikovsky’s 1812 Overture, which up to that time had never been associated with the Fourth, and since then has become a staple of the day.

Following Our Happiest Birthday, CBS gives us something new - a two-hour, star-studded "musical history of America" entitled They Said It With Music. The music spans the Revolution to Ragtime, and includes over 80 songs that range "from spirituals to marches, and touch on the Civil War, civil rights, sports and dance." Bernadette Peters, Tony Randall, Jason Robards, Jean Stapleton and Flip Wilson are the headliners.

One of the things I love about the occasional TV Guide from another  market is the look at what's unique about that area, and while the Fourth of July is in many ways a prototypical small-town celebration, Atlanta does it up big with the "Salute to America"* parade up Peachtree Road, televised by WSB starting at 1:00 p.m. (with a pre-parade show Sunday at 6:30 p.m.). This year's parade features a host of Atlanta celebrities, from political figures such as Governor George Busbee and U.S. Senators Sam Nunn and Herman Talmadge, to sports icons Henry Aaron, Phil Niekro and Boom Boom Geoffrion, to show biz stars Pernell Roberts, Brenda Lee and Robert Vaughn. The parade apparently doesn't exist any more, but Atlanta still knows how to celebrate the day.

*Or the "Salute 2 America," since WSB - Channel 2 - televises the parade.

There's also a concert of all-American music on Sunday night courtesy of PBS, with Leonard Bernstein at the helm of his old band, the New York Philharmonic. In one of those nice touches that only television can give us, the concert was taped in London. Go figure.

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Just over five years after the break-in at the Watergate and three years after the resignation of President Nixon, the political scandal is still a large part of the American consciousness. It is, after all, the reason why we had a President Ford, why we have a President Carter, and why we will have a President Reagan. And, writes Kevin Phillips, it remains a mystery.

Phillips, the conservative-leading pollster and pundit who is credited with successfully predicting and systematizing the "Southern Strategy" that has been the backbone of the Republican party since the mid '60s, is presently one of the rotating authors* of TV Guide's "News Watch" column that opens the national section of the magazine. Phillips has been considering what we know about it all, and what we don't know

*A group which included Patrick Buchanan and John Roche.

I have to admit I've never been captivated by Watergate - for one thing, I remember it happening, so there's not much nostalgia value. It also took down a president, Nixon, whom I admired; my thought at the time was that it was overblown, and I haven't changed my mind in the meantime. Mostly, though, it's been long enough since it happened that we've gotten the answers to most of the questions asked over the years - we know who Deep Throat was, for example - which makes many articles of the time either outdated or barking up the wrong tree. In Phillips' case, his theory is an interesting one: that the burglars were after information that Howard Hughes had helped fund CIA assassination plots against Fidel Castro in Cuba*, and that James McCord, one of the burglars, was actually a CIA mole planted in the group to help ensure their arrest.

*For one thing, the only two phones bugged in Democratic headquarters belonged to party chair Larry O'Brien and functionary Spencer Oliver, both of whom had ties to Hughes.

As I pointed out last week, it has been impossible to escape the politicization of television, along with everything else, that has increased steadily over time. The thrust of Phillips' article is that one of the networks would be well-advised to investigate and report on this theory; articles by Buchanan and others would point out possible media bias or conflicts of interest. At least there was something civilized about these articles; today we don't even have that.

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Finally - an "all-new" version of Star Trek? It's true - Paramount has signed on for 22 episodes for their new "fourth network," to start in April, 1978. Gene Roddenberry has even been contracted to create the new series, at a cost of $400,000 per episode. No word yet, the article continues, on whether or not the original cast will return.

As it turns out, the originals - Shatner, Nimoy, Kelley and the rest - do return. It's the show that doesn't come back, at least not for another nine years. Somewhere along the line, probably after the boffo box office from Star Wars, Paramount makes the decision to pour the money into a big-screen version of Star Trek, which launches an ongoing series of successful, highly profitable movies. Star Trek will return to the small screen, though, in the form of The Next Generation, with its own cast and following, and its own series of movies. I guess it just proves you can't keep a good starship down. TV  

July 1, 2016

Around the dial

We're about to start the July Fourth weekend, so what better than to find some more material for your reading pleasure?

One word for the latest from Some Polish American Guy: Supertrain!

I can't believe it's been 38 years since Bob Crane died. Carol at Vote For Bob Crane remembers Bob on the anniversary of his death and urges us to recall all the happy memories.

What's that, you say? Blogging about every Dark Shadows episode ever made? That's what bare-bones e-zine says, and you can keep up with it here.

I never watched The Electric Company during its first run; my wife, however, was a fan - particularly of Easy Reader, who grew up to be Morgan Freeman. If you're part of that group as well, you won't want to miss Comfort TV's list of the 20 best songs from the show.

Ah, the sinister Doctor Who episode "The War Machines." I think I remember reading about this one long before the First Doctor's episodes made it to this country. As Cult TV points out, it's a great atmospheric look at how the '60s looked at technology.

"Survey Says!" this is one in a nice series of entries about Family Feud, courtesy of Faded Signals.

I'm not much into the musical Hamilton (not my style), but I've always been interested in one of our lesser-credited Founding Fathers, so I'm totally on-board with Recap Retro's recap of James Thurber's story "A Friend to Alexander," as heard on the OTR show Suspense.

At The Hits Just Keep on Comin', jb writes about getting rid of his Magnum Opus collection of cassette tapes. I remember how it was throwing out all my VHS tapes when copying them to DVD, and how we got rid of our vinyl collection without being able to totally afford to replace them all - if you've been there, you'll know how he feels.

You should be back here tomorrow, but if you don't visit again until next week, happy 4th! TV