Showing posts with label Fan Clubs. Show all posts
Showing posts with label Fan Clubs. Show all posts

August 5, 2023

This week in TV Guide: August 7, 1954




Some years ago, an author whose work I otherwise respect—which is why I'm not naming him here—tossed off what I'm sure he considered an amusing bon mot about Orson Bean, to wit that he was a game show panelist known primarily for being known. It was an ignorant statement, which just goes to show the dangers involved in stepping outside your field of expertise without adequate preparation, but, as is often the case, it also offers the opportunity for correction, to write a wrong. Not that he's likely to be reading this, but it might be helpful in any event to set the record straight on Orson Bean.

Bean is hosting Blue Angel, the summer replacement series for Edward R. Murrow's See It Now, and to give things an authentic feel, the set is a recreation of the famed Blue Angel nightclub, where Bean made his breakthrough three years ago as a 21-year-old purveyor of sophisticated stand-up comedy. Originally from Vermont (and named Dallas Burrows), Bean took his first crack at show business in 1948 after leaving the Army. He started out as a magician, but transitioned into comedy, living "on peanut butter and crackers between jobs" before walking into the Blue Angel and convincing the owner that he was funny enough to be hired. 

Since then, he's appeared in several television shows, and made his Broadway debut in "Almanac." He feels that his greatest success, though, "has been in winning recognition from the folks Down East who never had much faith in my theatrical ambition." He's hoping for his own sitcom someday, and in the meantime he's taking lessons in singing, dancing, and acting, and teaching himself to juggle, a skill that will come in handy in future years.

For this isn't the end of Orson Bean's story, not by a long shot. He continued to appear on Broadway, starring in the original cast of Will Success Spoil Rock Hunter? and later receiving a Tony nomination for Subways Are for Sleeping. He guested frequently on television, was a regular on Dr. Quinn, and became a mainstay on, yes, game shows, including I've Got a Secret and To Tell the Truth. He was a gifted storyteller, graceful and self-effacing, which won him a chair on all the talk shows of the day. He voiced Bilbo Baggins in the animated The Hobbit, and Frodo in the sequel Return of the King. And he remained an active actor until his untimely death in 2020 at age 91 after being hit by a car.

What bemused him in his last years of life was, he said, his status as one of the few celebrities to be blacklisted not once but twice, first by the right and then by the left. He was blacklisted in the mid-1950s "because I had a cute communist girlfriend," and went a year without appearing on television, before Ed Sullivan welcomed him back to his show. Later in life, he found hmself on the outs with the Hollywood left after he became an outspoken conservative; Bean's daughter married pundit Andrew Breitbart, and Bean converted Breitbart from liberalism to conservatism.  

Orson Bean was known for being an actor, a comedian, a voice artist, a raconteur, an a writer. The idea of being famous for being famous wouldn't have bothered him (he himself used the line, and said he was a "neocelebrity"), but if you only knew of him because you recognized his name, it was your loss.

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Back before Instagram and Twitter and Facebook, before message boards, even before the Internet, there were things called "fan clubs." You'd generally join these clubs by sending your name and address through something called the "U.S. Mail," and in return you'd get a membership card, perhaps an autographed picture, and an occasional newsletter, all done by enthusiastic volunteers, often teens. And for all that, you became part of a following, one designed to "help fan an entertainer’s career to a flame so white-hot that he and his whole family can bask in its glow for years."

Perry Como with some of his adoring fans   
The times may have changed, and the methods adapted to current technology, but the importance of fans hasn't changed. For as this week's article says, "[T]he fans are the ones who buy most of their favorite’s recordings; come out in droves for any personal appearance; build TV ratings by tuning in faithfully to the star’s program; deluge their local disc jockeys with requests for his records and generally promote the wealth and welfare of the stars." 

Most fan clubs are not national organizations, but are local or regional; there are more than 2,000 devoted to Perry Como, for instance, not only in this country but around the world. Singer Eddie Fisher has a similar number (I wonder if Elizabeth Taylor belonged to any of them?), and even writer Paddy Chayefsky has one. And while stars may "pretend dismay," they know that their fans are what help keep them in the bread and butter. A group of Jimmy Durante's fans collared him at the track one day; he was hoping they had some hot tips, but they were only there to pitch some gags. Jerry Lewis "once embarked on an hour-long tirade against his sponsor and ad agency executives because they weren’t alloting him enough tickets for his fans. Lewis’ position: they lead the studio laughter." Como offers some of his fans haircuts on their birthdays; Como, as you may remember, was a barber before he hit stardom.

Although the means change, fandom, and its importance, remains the same today, and it's a foolish celebrity that risks antagonizing them, don't you think?

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It's called "The Dream Mile," and it may well be the sporting event of the year. On Saturday afternoon, the only two human beings ever to have run a mile in less than four minutes will meet, along with several other runners, in the British Empire Games, from Vancouver, B.C. The CBC is covering the race live, with the signal traveling from Vancouver to Seattle, where it will then be picked up by NBC and relayed throughout the United States, starting at 4:00 p.m. CT.

It's difficult to really explain just how big this is; for decades, the four-minute mile (from an era when the metric system hasn't completely taken hold) has been the holy grail of sports; a barrier which seemed as impenetrable as the sound barrier once was. Studies have been conducted, techniques have been discussed, and tactics have been employed, all in an effort to break a barrier that some scientists thought was a human impossibility. When it became clear that it could, and would, be done, runners engaged in a battle to see who would be first. Roger Bannister ensured hs name would go down in history by becoming the first, with a 3:59.4 mile on May 6; that was then broken by John "Jack" Landy, who broke Bannister's record with a 3:57.9 less than two months later, on June 21. 

The world's media is focused on the outcome; as Landy would say in 2015, "The four-minute mile was something that even people who weren’t interested in athletics could understand and this fascination had built up." And now, with 35,000, including Prince Philip in attendence, the two will meet head-to-head, with several other runners, to settle the score. And while you might think that nothing could ever live up to that buildup, you'd be wrong. Landy leads throughout most of the race, but Bannister begins to reel him in during the final lap; in the final turn, Landy looks to the left to see where Bannister is, while Bannister passes him on the right, winning the race in a non-record but second-fastest-ever time of 3:58.8; Landy finishs in 3:59.6, the first time two runners have ever broken four minutes in the same race; a statue is later erected in Vancouver to mark the occasion of the race. You can see exactly how the sporting event of the year unfolded here

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Today, the cover headline might read, "Godfrey Snaps Back at Fake News." Seems like people are always complaining about that, aren't they? As to the source of Godfrey's ire, well, when you spend as much of your life in the public eye as he does, you're bound to run into controversy, and as is so often the case, once it does, things just begin to snowball.

For the Old Redhead, his downfall probably began with his on-air sacking of Julius LaRosa last October, and since then things have gone downhill: rumors that he was disappointed in singer Marion Marlowe over several issues including her "choice of dating partners" and refusal to take orders; rumors that he was unhappy with Lu Ann Simms because of her recent marriage possibly disrupting the show's schedule; an on-air announcement that he'd fired a member of his crew for drunkeness; and the fall of both of his primetime programs out of the top 10 in the ratings. Because of this, he's agreed to an exclusive interview with TV Guide's Bob Stahl to try and set the record straight.

Asked by Stahl why the press seems to be out to get him, Godfrey blames it on "a dearth of any good news, so they turn to me. That’s why all this stuff starts. But none of it is true in any way and I’m hanged if I’ll get caught in the middle of it." He's denied he's planning on firing any of his cast members, but refuses to comment on whether or not he plans on hiring any new ones, including the young singer Grace Bumbry, who'd wowed audiences on Talent Scounts a few months ago. "But I talked with her then and we agreed she should finish her college courses before we do anything. I told her to come to see me as soon as she finishes school." (Bumbry goes on to a legendary career in the opera house, winning the Metropolitan Opera National Council Auditions, becoming the first black singer to appear at the legendary Bayreuth Festival in Germany, performing at the Met for decades, singing at several presidental inaugurations, and eventually retiring as one of the greatest singers of her time.)

He dismisses the idea that he was angered by Simms's marriage; "I don’t give a hoot who they (meaning all the girls on his show) are in love with, who they marry, who they divorce . . ." And he's adamant that he has no plans to retire, and will be on all next season, "the Good Lord willing." Stahl notes, though, that amidst the declining ratings for he show, it may well be that he'll require a change of format, as stars such as Milton Berle have had to do, in an attempt to recover. In any case, Godfrey does wind up firing Marlowe and Simms in 1955; Talent Scouts leaves the air in 1958, while Arthur Godfrey and His Friends hangs on for another season; his daily radio program lasts until 1972, but he never completely regains the hold he once had on America. 

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We've already seen the sports event of the week, but what else is on? 

Ed Sullivan is on vacation this week, so Victor Borge stands in for him on Toast of the Town (Sunday, 7:00 p.m. ET, CBS), with guests Audrey Meadows, Jack Whiting, singer Mary Small, and acrobat-muicians Les Charlivels.. Sullivan will have several guest hosts over the years (including Charles Laughton, who subs on September 9, 1956 after Sullivan's near-fatal automobile accident—the night Elvis makes his Sullivan debut) but since Borge himself is a performer, you have to imagine he does a couple of pieces; it probably gives the show a feel more like the Colgate Comedy Hour, where the host is also the star. And speaking of that, the Summer Comedy Hour (7:00 p.m., NBC) has the Will Mastin Trio featuring Sammy Davis Jr. as the headliner, with the Gaylords vocal trio and pantomime comic Gene Sheldon. I'll have to go with the Comedy Hour on this one.  

Top Plays of 1954 presents a grim story; "Wonderful Day for a Wedding" (Tuesday, 8:30 p.m., NBC), and I wonder just how top a play it is, since I can find very little about it online. After a bride changes her mind at the last minute, a "sultry next-door neighbor" consoles the jilted groom-to-be. Joan Leslie, Scott Brady, and Rita Moreno star; what do you want to bet that Rita is the sultry neighbor? Sounds like a nice day for a white wedding, doesn't it?

Celebrities were not always the stars of This Is Your Life (Wednesday, 9:00 p.m., NBC); in the early years of the show, the lives were often those of ordinary people who'd experienced extraordinary situations. Case in point is this week, when the honoree is Emma-Jo Wengert, a woman who was freed from Nevada State Prison as a result of Erle Stanley Gardner's Court of Last Resort, which proved she had been convicted of a crime she didn't commit. Some of the cases of the Court were dramatized in a series on NBC in 1957-58, but here we get an example of the real thing.

While this may not have the impact of the Dream Mile, the other major event in sports this week is Wednesday's world lightheavyweight championship fight between the ageless one, champion Archie Moore, and challenger Harold Johnson, live from Madison Square Garden (9:00 p.m., CBS). Moore, who admits to 37 but was actually 41, wins in a 14th round knockout; he's nowhere near done, though, as he still has two heavyweight title challenges in front of him, and remains lightheavyweight champion until 1962. Ah, longetivity.

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The popular duo sing "Love Is the Reason"
No wonder people are so confused!
The Quiz Show Scandal has often been pointed to as when television lost its innocence. Now, I don't know whether or not that's true, but contemporary minds look back at it and frequently wonder how Americans could have been so naive as to buy into what they were seeing on TV. If you had any questions about that, though, this might help dispell them. A letter-writer from Waukeegan—I'm not naming this person either, although I can assure you it's not the same person in the Orson Bean story—says, "I watch the Garry Moore show frequently and would like to know if Ken Carson and Denise Lor are married. They always act like it when they sing together."

Well, it's called acting. Just like James Garner and Mariette Hartley were acting all those years when they were doing those Polaroid commercials together, and everyone wondered if they were married. Now, it's true that some actors are more natural than others, and some pairings have a chemistry that just works. But I'm reminded of an exchange from Doctor Who, when Romana expresses surprise that Tom Baker's Fourth Doctor doesn't believe someone's story. "But he had such an honest face," she says, to which The Doctor replies, "Romana, you can't be a successful crook with a dishonest face, can you?" So maybe none of these things surprise me after all.

Oh, and by the way, Ken Carson and Denise Lor are not married, at least not to each other. Says the editor, it's just good acting.

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MST3K alert: Rocketship X-M
(1950) Scientists prepare for a trip to Mars via rocketship. Lloyd Bridges and Osa Massen. (Wednesday, 10:00 p.m., WGN) The brief description doesn't really do this movie justice; the crew is supposed to be making the first trip to the moon, but due to an engine malfunction, they wind up on Mars instead. (Don't ask.) It also marks the debut of TV's Frank (Conniff) and Kevin Murphy as the new voice of Tom Servo, so for that we should always be grateful. The rest of it will leave your lungs aching for air. TV  

June 18, 2022

This week in TV Guide: June 18, 1955





I don't often lead with a sports item, but sometimes relevant news is hard to come by in these issues from the mid-1950s, and in this case we've got a truly notable event in store: the 1955 U.S. Open golf championship. (Saturday, 6:00 p.m. CT, NBC) If that doesn't sound like a reason to get worked up, just wait for the story behind the headline—or the listing, as it was.

Ben Hogan was already a legend in 1955. A movie had been made about his life, starring Glenn Ford; he owned a successful company that manufactured top-level Hogan golf clubs; he wrote a best-selling golf instruction manual that is still considered a classic today; he received a ticker-tape parade in New York after winning the British Open in 1953; and he had earned the admiration of everyone after successfully coming back from a catastrophic auto accident in 1949 that had nearly killed him. Coming into the 1955 Open, he was seeking to become the first man to win five U.S. Open championships. Sports Illustrated's Open preview was entitled, "The Age of Hogan."

Which brings us to the historic Olympic Club in San Francisco, where, as the famed golf writer Herbert Warren Wind says, the fog rolls in on little caddies' feet. In these days, the highlight is "Open Saturday," a 36-hole finale—18 holes in the morning, 18 in the afternoon. With no opportunity to reorder the players after the third round, the leaders are not necessarily the last players on the course. Nevertheless, as Hogan finishes the tournament with an even-par 70, it looks as if his fifth title is in the (golf) bag. His old rival, Sam Snead, is let down by his putter and finishes five strokes behind, along with contender Tommy Bolt. Announcer Gene Sarazan, himself a former two-time champion providing commentary on NBC (it's only the third-ever national golf telecast!), congratulates Hogan on the win, and asks him to hold up five fingers to signify five Open titles. NBC, with only an hour of coverage scheduled, signs off, declaring Hogan the probable winner. 

See most of it on TV, anyway
As Hogan accepts congratulations from his fellow competitors in the clubhouse, word comes back that there is only one player remaining with a mathematical chance of catching Hogan: a municipal club pro from Iowa named Jack Fleck, playing about an hour behind Hogan, who needs to birdie two of the final four holes just to tie, on one of the toughest courses to host the Open. A sportswriter comes with the news that Fleck had birdied 15 to pull within one. Pars follow on 16 and 17, and then a report that Fleck's second shot on 18 has rolled to within eight feet of the hole. The room is silent; Hogan, noncommittal as always, remains seated in front of his locker. The clubhouse then echoes with a thunderous roar from the 18th green; Fleck has indeed made the putt to finish with a magnificent 67 and tie Hogan, forcing an 18-hole playoff the following day. On that Sunday, with everyone waiting for Fleck to make a mistake, he shoots a one-under-par 69 to defeat Hogan by three shots in one of the greatest upsets in Open history.

Of course, none of this was yet known by viewers tuning in to that final round on Saturday, and they wouldn't see that fantastic finish on 18 anyway. (Nor will they see the playoff on Sunday, NBC having previously declined its option to cover it. They would have only shown the final two holes anyway.) But even if you'd somehow been able to tell them how things would turn out, they wouldn't have believed it.

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People hanging around for an extra night in San Francisco because of the Open playoff might be making things difficult for hoteliers in the Bay Area, many of whom are expecting extra business this week. That's because the United Nations is in town, commemorating its 10th anniversary in the city that hosted the UN's first meeting in 1945, and there's plenty of TV coverage of this last, best hope for peace. (Which makes its abject failure all the more poignant, seeing as how so much faith is being put into it.) It features on the Sunday afternoon public affairs program Comment with newscaster Richard Harkness (2:00 p.m., NBC), and is the single topic on American Week with Eric Sevareid (3:00 p.m., CBS). As well, Henry Cabot Lodge, U.S. ambassador to the U.N., is the guest in San Francisco on Meet the Press (4:00 p.m., NBC).

On Monday, Dave Garroway takes Today to San Francisco via remote to interview international delegates. (7:00 a.m., NBC). Meanwhile, the Camel News Caravan (5:45 p.m, NBC), with anchorman John Cameron Swayze, broadcasts the entire week from The City, with film and live coverage from the session. Most ambitious, perhaps, is NBC's Tuesday through Friday schedule, carrying a half-hour address each day from the foreign minister of one of the Big Four nations (the United States, Great Britain, France, and the Soviet Union). It's a type of daytime television on a commercial network that would be unthinkable today.

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Opposite NBC's U.S. Open coverage, incomplete as it is, Jackie Gleason says farewell for the season on CBS (Saturday, 6:00 p.m.) with a show so big, it takes up almost the entire column. In a concept that seems ripped right from The Dick Van Dyke Show, Gleason emcees a variety show that includes the entire cast, including production personnel. Examples: Six of the June Taylor dancers are joined by a sextet consisting of writer Marvin Marx, associate producer Stanley Poss, conductor Ray Bloch, Gleason's personal manager George Durgom, director Frank Satenstein, and announcer Jack Lescoulie; in another bit, announcers Jimmy Blaine and Bill Nimmo are joined by producers Jack Philbin and Jack Hurdle in a barbershop quartet. The pros are at work too, with performances by Art Carney, Audrey Meadows, and June Taylor.

Speaking of spectaculars though, Gleason is matched by Ed Sullivan, whose Toast of the Town show (Sunday, 6:00 p.m., CBS) devotes the entire hour to the stage play and movie Mister Roberts, celebrating its seventh anniversary on Broadway (and soon to be a major motion picture). The star-studded lineup, recreating scenes from the stage and screen versions, includes the original Roberts, Henry Fonda; the stage and movie versions of Ensign Pulver, David Wayne and Jack Lemmon; and the movie's Captain Morgan, James Cagney. Stage producer Leland Hayward and movie producer-director Mervyn LeRoy are on hand as well. We don't have a rival variety show to compare to Ed this week, but with that list of stars, it wouldn't have mattered. 

John Henry Faulk, soon to be embroiled in the blacklist controversy, is the substitute host for Jack Paar's weekly morning show (M-F, 7:00 a.m., CBS). As for primetime, it's the last show of the season for Sid Caesar (Monday, 6:00 p.m., NBC), and, as with Jackie Gleason, the whole gang's on hand—Nanette Fabray, Carl Reiner, Howard Morris, Virginia Curtis, and Ellen Parker. Bill Hayes, who's part of the upcoming summer replacement series, is tonight's special guest.

Tuesday night features the Roy Rogers World Championship Rodeo from San Antonio, Texas (6:00 p.m., NBC), and in addition to Roy, Dale Evans, Pat Brady, and the Sons of the Pioneers, we've got bronc riding, calf-roping, saddle bronc riding, steer bulldogging, and wild bull riding. All interspersed with entertainment from the stars, of course. Opposite that, Disneyland looks not to the past, but the future, as Tomorrowland presents "Man in Space." (6:00 p.m., ABC). Here it is; this series of space films helped make Dr. Wernher von Braun a household name and American hero. I've always enjoyed rodeos, but I'm pretty sure I'd have watched this instead.

Wednesday features the other big sports event of the week, the light-heavyweight championship fight between the champion, Archie Moore, and the challenger, middleweight champion Bobo Olson (8:00 p.m., ABC). Moore, the ageless Mongoose, knocks Bobo out in the third round; later in the year, Moore steps up in class to fight Rocky Marciano for Rocky's heavyweight crown. Since Marciano is the only heavyweight champion to retire with a perfect record, we don't need to guess how that one turns out.

We all know that Rod Serling was a prolific writer for television long before The Twilight Zone, and on Thursday's episode of Climax (6:30 p.m., CBS), Wendell Corey, Akim Tamiroff, and Maria Riva star in Serling's "To Wake at Midnight," with a typically provocative storyline: "All the pent-up prejudices and hatreds of postwar Europe are revived when a Nazi lieutenant recovers consciousness in a British hospital after being in a coma for years."

There were, I think, four great police series of the 1950s that incorporated their setting as a virtual character in the program: Dragnet (Los Angeles), M Squad (Chicago), Naked City (New York), and The Lineup (San Francisco). And it is the last that we look at on Friday (8:00 p.m., CBS), in the last show of the season. It's not particularly different from the other three; it's not quite as—documentarian?—as Dragnet, but it's a serviceable, enjoyable series that runs for six seasons, three of them in the top 20, and has a likeable cast in Warner Anderson and Tom Tully. Like their L.A. counterparts, The Lineup became a pretty good big-screen movie in 1958, although, unlike Dragnet, in black-and-white.

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In case you thought celebrities getting in trouble for giving political opinions on television is a fairly recent development, the Broadway columnist Earl Wilson, who also happens to have a weekly column in TV Guide, is about to set you straight: "When Sen. John McClelland was a mystery guest on What's My Line?, the panelists discovered he was a Democrat. 'So you're not Joe McCarthy?' said Fred Allen. 'No,' replied the guest. "Congratulations!" shrieked Arlene Francis. McCarthy supporters sent in so many letters that emcee John Daly answered with a form reply saying Miss Francis had merely been congratulating Allen for discovering that the guest wasn't Senator McCarthy." It's always like playing with fire, isn't it?

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Liberace with Ruth Forqueran, whose
club numbers 3,000 members
Joe McCarthy might have asked the question this way: Are you now or have you ever belonged to a fan club? Maybe you belong to one now, or at least an online group. I think the only one I ever joined was the Doctor Who Fan Club, which I was part of for a few years back in the 1980s. This week, Robert E. Johnson goes behind the scenes of those fan clubs devoted to television stars, including one of the first, devoted to Liberace. His fan club predates television, having been started by a Chicago switchboard operator named Kitty Pastore in 1947, but thanks to the power of TV, there are now "300 Liberace and brother George Liberace fan clubs in the United States and Canada—two of them with more than 3000 members each." 

One of the largest belongs to cowboy hero Roy Rogers, who mails as many as 130,000 copies of his eight-page tabloid newspaper to members of his fan club every two months. But clubs come in all shapes and sizes; Irene Jackson, a widow with a 12-year-old son, is the president of Hugh O'Brian's fan club, and a member of 20 other clubs. There are even clubs comprised of presidents of fan clubs; two of which are the International Fan Club League and the International Association of Fan Clubs.

According to Johnson, the average fan club member pays a buck and a half a year, in return for which the member gest a membership card, an 8x10 autographed photo, notices of special club activities, and perhaps three newsletters a year. Many clubs raise money for charities, such as retarded children, an interest of Dale Evans. The dues from the Liberace Club of Lakewood, California go to Lee's favorite charities.

Not every star is thrilled by fan clubs, though, and there are risks. As top Hollywood publicist Charlie Pomerantz points out, fan clubs "are the world's best form of publicity if you can control it. Word-of-mouth publicity is the most powerful form of publicity, but also the most dangerous if it gets out of hand", hence the newsletter that comes directly from the Roy Rogers organization. Meanwhile, other stars allow only one official club, and limit their membership (Desilu has only 150 members). But everyone agrees that for the club organizers, there's no profit; it's just a labor of love. TV