Showing posts with label Cartoons. Show all posts
Showing posts with label Cartoons. Show all posts

September 4, 2026

Around the dial



We're into the "Patricia Hayes" season at Cult TV Blog, in which John assembles a season's worth of performances from an individual actor who's appeared in various shows he's watched. Hayes was a familiar face to British audiences for her various roles, none more so than her 1971 BAFTA-winning role as "Edna, the Inebriate Woman" in Play for Today.

At RealWeegieMidget, Gill treats us to reviews of three movies featuring the late, great Tim Curry: the TV series The High Fructose Adventures of Annoying Orange (2012-14), the horror movie The Shout (1978) and an episode of Tales from the Crypt (1993) in which he plays not one, not two, but three family members.

And speaking of Curry, at A Shroud of Thoughts, Terence has a look back at the gloriously eclectic career of Curry, which stretches from Rocky Horror to Clue, and which featured turns with the Muppets, an outstanding career on stage, and more credits than you can shake a stick at, as people my age might say.

The trip through 1970s television continues apace at Comfort TV, and this week David brings us to Wednesday night, 1978: as he says, it's yet another night of primetime dominance by ABC, with Eight is Enough, Charlie's Angels, and Vega$, but there's more, including a show even worse than Supertrain!

At Cult TV Lounge, it's a look at a series I've watched in the past, Firefly, Joss Whedon's sci-fi Western, starring Nathan Fillion in a rare non-crime figher role, and a cast of characters headed by Ron Glass's insightful performance as a man of faith. It's an intriguing premise, but I agree with our fearless author that it doesn't grab me enough to watch again.

How is it that, in all the things I've remembered and forgotten in my long life, I still recall Help! It's the Hair Bear Bunch!?  I don't think I ever saw a single episode of this animated series, but I sure remember the title. Fortunately, we have Paul at Drunk TV to remind us of this 1970s animated Saturday morning Hanna-Barbera series.

We've been reading a bit about Dick Tracy at Martin Grams's site, and this week he looks at the 1991 novel Dick Tracy Goes to War, one of three Warren Beatty-era Tracy novels to be written by Max Allen Collins. Considering the first book was an infinitely superior adaptation of the Tracy movie's screenplay, I think it safe to say we're in good hands.

After all this, there's no 0ther way to end the week than at The View from the Junkyard, and Roger's review of The A-Team. This week, the Team actually try to settle down in a house they own, but as the title might tell you, "There Goes the Neighborhood" has ideas of its own. TV
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December 12, 2025

Around the dial



At Comfort TV, David talks about how classic television can help one get through the holiday season with a little more comfort and joy. I know that this time of the year weighs heavily on some, and I'd wholehertedly endorse all of David's choices.

The A-Team has been messing with Roger's mind lately at A View from the Junkyard, tweaking the old and familiar episode formula, and this week, throwing it right out the window, in "Harder than it Looks." And is it? Well, read it and find out.

At Cult TV Blog, John continues his analysis of whether The Prisoner could reference Soviet Russia. This week, a look at "It's Your Funeral" and "A Change of Mind," two episodes in which the analogies to the Soviet state are obvious: surveillance, conformity, and punishment.

Television's New Frontier: The 1960s takes on a series that, while running for only one season, still sparks fondness with many who remember it: I'm Dickens...He's Fenster, starring John Astin and Marty Ingels. Blame Route 66 and Sing Along With Mitch for its cancellation.

At RealWeegieMidget, Gill is back with movie reviews of some of her horror/thriller favorites, many of which you may have seen on TV (Dracula A.D. 1972, anyone?), and one that's not a movie at all, but certainly a favorite: the first season of The Twilight Zone.

Terence celebrates the 70th anniversary of Saturday morning cartoons this week at A Shroud of Thoughts, and what happy memories that brings back for yours truly. My sweet spot, naturally, falls into the mid '60s, but I do feel for kids who grow up today not knowing what this was like.

Finally, Martin Grams reviews a book that I can heartily endorse, The Moose That Roared: The Rocky and Bullwinkle Show, a wonderful history of the show and its stars, by Keith Scott. I read this many years ago, and it's just as much fun today as it was then. TV


If you enjoy the content here and want to support my broader creative work, please consider making a donation at my Ko-fi page. Any amount you contribute helps me continue writing, researching, and sharing these articles and projects. Thank you!

September 6, 2025

This week in TV Guide: September 6, 1969



Eddie Albert loves to work. I suppose we shouldn't be surprised by that; acting is, after all, a job just like any other, albeit one that pays more than most of us are accustomed to. And Eddie Albert, who has been in the business long enough that he appeared in the first teleplay ever written for television (back in 1936, on W2XBS in New York) and who most assuredly does not need the money, is now enjoying the fruits of that labor, most recently four years as co-star of CBS's hit sitcom Green Acres. Still, in his sixties, one might have expected him to slow down, even just a little. 

He's a man of many means, or perhaps, as Leslie Raddatz points out, there are many Eddie Alberts out there: besides Albert the actor, there is Albert the family man—his most important role, he says; Albert the philosopher, who while he declaims the title, can quote Chardin, Sir Arthur Eddington, Einstein and Gandhi, and was talking about Zen Buddhism "before it became fashionable"; and Albert the compulsive worker, a man in constant motion. "I enjoy doing other shows," he says, "where I can sing or recite serious poetry. The commercials are like that—a chance to do something I’ve never done before. Happiness to me means constant growth. If I see a chance to do something, even if it stinks, I do it. I’m always on the side of action—I just can’t sit on my butt and do Green Acres."

His film career was far from a failure—he was nominated for two Academy Awards for Supporting Actor, and twice more for Golden Globes—but he enjoys television, "the idea of TV's hitting so many people, diverting them for a half-hour from the rather violent world we live in." He enjoys meeting the people who watch him on TV, during the many personal appearances and fairs that he plays during the summer; working on the stage gives him a chance to "try new things, and if they work, you use them when you get back to Hollywood, even if it's just a slight change of expression or the way you smile when you say a line." 

When he's not working in front of the camera, he's often working out, running two or three miles a day in the sand near the modest home he's lived in for the last twelve years, with his wife Margo, to whom he's been married since 1945, and his two children, Maria and Edward, the latter of which will follow his footsteps in acting. Why does he work out? He enjoys it, for one thing; in addition, he's preparing for a summer mountain-climbing expedition in Alaska, and "I didn't want to have to say, 'Wait for me, fellows.' That would have been humiliating, and I don’t like that." He says that he wants to "be able to ru with my kids when I'm 75 years old. I intend to."

He's not the most popular man in Hollywood, which I suspect bothers him not one bit; "We who live and work in Hollywood discuss almost nothing but our work and each other and our fairly cramped lives," he has said, and a friend adds that "He resents having to become involved in things he really isn’t interested in." He is an interesting man; I'll admit that he was never quite my cup of tea, although he's terrific in Green Acres, in which, he says, he plays "one aspect of myself." And maybe that's all we really need to ask of him, a man who loves his work, that he transmits some of that love to us through his performances. As Oliver Wendell Douglas, we can have no complaints.

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With the new television season kicking off next week (including the fabulous T.V. Guide Fall Preview Issue!) the networks frequently offer a special or two to whet our appetites, and this year is no exception. And you can see several of them!

Traditionally, the Miss America Pageant has served as the first major special of the  season, and on Saturday we'll make the trip to Atlantic City for the 49th annual presentation (7:00 p.m. PT, NBC, watch here), with the grandmother of them all putting on a "mod face" to honor this year's theme, "The Sound of Young." (Yeah, that's what it says.) Bert Parks and 1966 Miss America Debbie Bryant are our hosts, and if you can make it through all the modness to the end, you'll see last year's winner, Judith Anne Ford, crown Miss Michigan, Pamela Eldred, as Miss America, 1970. Incidentally, one of the runners-up is Susan Anton, and Eldred will, next year, pass her crown off to Phyllis George.

There's no college football on TV this weekend; the start of the season hasn't yet been bumped up to the middle of August. The pros aren't around either, although you can catch some practice football, which goes under the name of "pre-season" action. That doesn't mean there's no sports to be seen, though: the U.S. Open Tennis Championships wrap up this week in Forest Hills, New York, with the women's final on Saturday at 1:00 p.m., while the men face off Sunday at 11:30 a.m. (CBS) Two great champions walk off with the prizes: Margaret Court wins the women's final over championship over American Nancy Richey, while on the men's side, Rod Laver completes his second Grand Slam, defeating Tony Roche (which you can see here). Laver remains, to this day, the last man to win the Grand Slam, and the only player, male or female, to win it twice.

On Monday, it's The Singers (10:00 p.m., CBS), a "way-out melange of music and comedy" including "wild visual interpretations of perfectly normal tunes," produced by Mel Torme and Bill Foster, and featuring performances by Jack Jones, Michele Lee, Frankie Laine, Cliff Robertson, Bobby Van, Harve Presnell and Gerri Granger, and the Sapphire Thinkers. Like, groovy, man.

Tuesday, CBS takes us back to last year's tumultuous presidential campaign with The Making of the President: 1968 (9:30 p.m.), based on the best-seller by Theodore H. White and written by White, produced by Mel Stuart, and narrated by Joseph Campanella. Looking back on it now, I'm still amazed that the country made it through all that. Conveniently, the book is also a selection of the Literary Guild of America, for which an advertisement appears on the following page.

On Wednesday, Lena Horne takes the spotlight in her first network television special (10:00 p.m., NBC) with guests David Janssen and O.C. Smith; the orchestra is conducted by her husband, Lennie Hayton. It's an all-singing, all-dancing hour, and I have to admit that David Janssen is not the first name that comes to mind when looking at potential special guests for such a special. On the other hand, he did host The Hollywood Palace once, and after spending four years on the run from the law, he probably knows a thing or two about moving quickly on his feet. By the way, next week in this time slot, it's the premiere of Then Came Bronson.

Thursday
's highlights can be found mostly in the past, with reruns of "Fall-Out," the dramatic and controversial final episode of The Prisoner (8:00 p.m., CBS, video here), and "Male of the Species" (8:30 p.m., NBC), a Prudential: On Stage presentation of a trio of plays by Alun Owen that tell stories of the battle of the sexes, starring Paul Scofield, Michael Caine, and Sean Connery as the three men, and Anna Calder-Marshall as the woman each of them pursues. Scofield and Calder-Marshall each won Emmys, and in case the cast doesn't have enough star power for you, the production is hosted and narrated by Sir Laurence Olivier. Here's play one, with links included for the other two.

I mentioned college football earlier; it's the 100th anniversary of college football, and in honor of next week's season opener, sportscaster Chris Schenkel hosts an hour-long documentary on the history of the sport (Friday, 8:00 p.m., ABC), with footage of some of the game's all-time greats, including Red Grange, Don Hutson, Jim Thorpe, and the Four Horsemen. 

Oh, and one more thing about football: the award for the most incomplete story of the year goes to Thursday night's O.J. (8:00 p.m., KTUV), highlighting the career of Heisman Trophy winner O.J. Simpson, and talking about his plans for the future. When asked about those plans, Simpson reportedly replied, "I plan on breaking a few records, and then going into television and commercials, where I expect to make a killing. Or two."

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The new season may be just around the corner, but NBC and ABC are rolling out their new Saturday morning lineups, a mixture of old friends and new faces—or something like that. I was never able to get into some of these new cartoons; I was always a Bugs Bunny/Road Runner fan myself. I'm sure, though, that some of these titles will bring back fond memories for you. Forthwith, a look at the new lineups, along with my observations:

ABC, by virtue of the alphabet, comes first, and their new shows include:
  • Smokey Bear (7:30 a.m. PT): Cartoon adventures of the fire-preventing bear. (Adding new stories to the canon, because how many fire-prevention stories are there?)
  • Cattanooga Cats (8:00): Animated rock-music cats host this cartoon series. (And who can possibly resist a rock group comprised of cats?)
  • Hot Wheels (9:00): Cartoon adventures of young, responsible auto enthusiasts. (Driving cars that look remarkably like those you can find in the store.)
  • The Hardy Boys (9:30): Animated series based on the Hardy boys mystery books. (Because Shaun Cassidy and Parker Stevenson aren't quite ready for prime-time yet.)
  • Sky Hawks (10:00): Animated aerial adventures of the Wilson family. (See also: Sky King, with his niece Penny.)
Not to be outdone, here's what the Peacock Network has in store, a lineup that includes one certifiable classic:
  • Heckle and Jeckle (7:00): Cartoons with the know-it-all magpies. (A blast from the past, and as I recall these are reruns from the show that ran Saturday mornings on CBS from 1956 to 1966.)
  • Here Comes the Grump (8:00): Animated adventures of a boy and his dog in a fantasy land. (I don't know why I remember the theme to this cartoon, but since I do, I must have watched it.)
  • The Pink Panther (8:30): Cartoons with the internationally known pussycat. (An instant classic that has held up remarkably well, along with "The Inspector" and "The Ant and the Aardvark" features.)
  • H.R. Pufnstuf (9:00): Jack Wild, the Artful Dodger of Oliver!, stars as Mimmy in this fanciful series about a boy's escapades on a magic island. (It says here that Pufnstuf is a dragon. I was never sure of that. A show that lives on, nonetheless.)
  • Jambo (10:30): Marshall Thompson (Daktari), aided by Judy the Chimp, narrates this series of live-action animal stories produced by Ivan Tors. (Yes, but without Cheryl Miller? Not to mention Clarence.)
CBS kicks off its Saturday schedule next week, but no fear: on Sunday, Sebastian Cabot, Anissa Jones, and Johnnie Whitaker host The Funtastic Show (7:30 p.m.), an advance look at the network's new offerings, including Dastardly & Muttley in Their Flying MachinesThe Perils of Penelope Pitstop, and Scooby-Doo, Where Are You! Looking at some of these titles, maybe it was a Golden Age of Saturday morning cartoons after all.

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Some odds and ends from the Teletype this week: 
  • Frank Sinatra returns for his annual television special on CBS November 12. (It eventually airs on November 5. This one is just Frank, with no guests, and isn't that about all you need?
  • Bing Crosby's annual Christmas special airs on NBC this year, after four years of Christmas shows on ABC's Hollywood Palace. Although it isn't mentioned, Bing's special guest is Carol Burnett; Roy Clark and Juliet Prowse also appear.
  • Six episodes of Tom Jones's series will be taped in Hollywood this season rather than London. "Tickets to a Jones taping session—or even a dress rehearsal—are as hard to get as Lawrence Welk ducats. And that's where the comparison stops." 
  • Ed Sullivan's season opener falls on his 67th birthday, September 28. Helping Ed celebrate are Barbra Streisand, Red Skelton, and the Temptations. Unknown at the time: it's Ed's next-to-last season opener.
In other insider news, Richard K. Doan reports that the Smothers Brothers have been reduced to making guest appearances and local-station syndication after being sacked by CBS. The episode that the network refused to air last spring is being sold to individual stations for broadcast (Wednesday, 8:00 p.m., KTXL), while the brothers hope to produce a series of specials for first-run syndication. Tom appeared with Merv Griffin last month, and the duo join Glen Campbell for his season premiere. 

And FCC Commissioner Nicholas Johnson, the closest thing the government has to a loose cannon (this side of Spiro Agnew, anyway), had plenty to say on a recent Dick Cavett show. Referring to a bill that would eliminate the three-year renewal cycle of TV and radio station licenses, Johnson called it "the final takeover by the broadcasters," and added that while it might be too late to stop, the public ought to know "what it is that’s about to happen to them in Washington as they sell off their democratic rights to the broadcasting industry." A visibly nervous Cavett asked Johnson, "if he had anything else he'd like to get off his chest," to which Johnson replied, "My thesis is that television can’t stand truth. It can’t stand reality."

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Speaking of talk shows, this really is something of a Golden Age for the genre. As opposed to the vapidity of late-night talkers and the celebrity-obsessed daytimers, we see a succession of shows that frequently combine entertainment with some quality conversation.

We're in the era when all three networks have their late-night shows. Johnny Carson still rules the roost, of course, and among the king's guests this week are Alan King, Jacqueline Susann, Charlie Callas, Robert Merrill, and Bob and Ray. Johnny's opposition on ABC is Joey Bishop, who welcomes Barbara McNair, Ross Martin, Anthony Newley, and Louis Prima. Not to be outdone, over on CBS, Merv Griffin has Dr. Sam Sheppard, Jerry Lee Lewis, Sen. Edmund Muskie, Steve Lawrence, Erroll Garner, and Jimmy Dean. Gotta give Merv the edge for the week. 

But that's not all! Dick Cavett hasn't yet taken over Bishop's late-night slot, but his thrice-weekly show (Monday, Tuesday, and Friday, 10:00 p.m., ABC) has its share of stars, with Johnny Mathis, Robert Young, Ralph Nader, and California's Democratic party leader Jesse Unruh.

During the daytime, Steve Allen's talk-comedy series (9:30 a.m., KOVR) has Diana Trask, Bill Dana, O.C. Smith, Anna Maria Alberghetti, and the Ike and Tina Turner Review. There's old standby Mike Douglas (airing at 3:00 p.m. on KPIX and 4:00 p.m. on KXTV); his co-host for the week is Doug McClure, and his guests include Monte Markham, Diana Trask (again!), Lily Tomlin, and Pearl Buck. Meanwhile, David Frost's guests for the week (4:30 p.m., KPIX) include Chet Huntley, Burt Reynolds, Arthur Ashe, Dr. Joyce Brothers, Sugar Ray Robinson, Averell Harriman, and Stiller and Meara.

Finally, in the late-late-night spots, Joan Rivers has Sam Levenson, Brenda Vaccaro, Soupy Sales, and Kay Thompson. Finally, Hugh Hefner's weekly show (Friday, 1:00 a.m., KCRA) features Gore Vidal, Mort Sahl, Morgana King, John Hartford and hypnotist Pat Collins. 

Now, you may not recognize all the names I've listed; I could look them up for you, but it won't hurt if you check them out yourself. The point is that most of the names are familiar, and those that aren't are still important people in the worlds of entertainment, news, or politics. And I'd say that the weekly lineup for any of them beats what we have today.

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However, there's one legendary talk show host you won't find on weekly television anymore but who makes an appearance this week nonetheless: Jack Paar, who continued to appear in a series of occasional specials after leaving the regular grind on NBC. On Monday night (8:00 p.m.), Jack Paar and His Lions presents Jack and, well, some lions, including his pet lion Amani, who lives with Paar and his family in Paar's 13-room house (and once accompanied Paar's daughter Randy to college). He also looks at the journey of the three offspring from the lions featured in Born Free, en route from Kenya to their new home at Lion Country Safari in Florida. Paar, who wrote, narrated, and partially photographed the special, is well-known for his love of lions and other wild animals, having gone on safari in Africa, and is thoroughly in his element here.

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MST3K alert: The Amazing Colossal Man (1957) After being burned in a plutonium explosion, an Army colonel starts growing at the rate of 10 feet per day. Glenn Langan, Cathy Downs, William Hudson, James Seay, Larry Thor, Frank Jenks, Russ Dender, Lyn Osborn, Diana Darrin, William Hughes. (Saturday, 1:00 p.m., KGO in San Francisco) Admit it; you'd be plenty teed off too if you'd been transformed, through no fault of your own, into a 70-foot giant. Unfortunately, since the rights to use the movie expired, you can no longer see the MST3K version except on YouTube. However, you can catch the unwanted, unasked-for sequel, War of the Colossal Beast, with a completely different cast. Take it from me: if you've seen one colossal man, you've seen them all.  TV


If you enjoy the content here and want to support my broader creative work, please consider making a donation at my Ko-fi page. Any amount you contribute helps me continue writing, researching, and sharing these articles and projects. Thank you!

March 21, 2025

Around the dial




Let's get right to it, starting at bare-bones e-zine, where Jack's Hitchcock Project looks at Robert Gould's ninth-season episode "How to Get Rid of Your Wife," which, despite the title, is a "lighthearted look" at psychological warfare within an unhappy marriage. Bob Newhart, Jane Withers, and Joyce Jameson star.

At RealWeegieMidget, Gill recalls Gena Rowlands and her small but multifaceted role as the wife of the murderous Oskar Werner in the 1975 Columbo episode "Playback," an episode which star Peter Falk (a longtime friend and collaborator of Rowlands' husband, John Cassavetes) called the series' best.

The Sylvia Coleridge "season" continues at Cult TV Blog, and this week John takes a look at her magnificent performance in the Armchair Thriller six-parter "Quiet as a Nun," based on the novel by Lady Antonia Fraser, in which Coleridge plays—what else?—a nun. 

At Comfort TV, David reviews six episodes from The Twilight Zone's exceptional first season: three that rank as classics (including the all-time "A Stop at Willoughby"), and three that, well, don't quite measure up. For what it's worth, I concur on all six.

Roger continues his episode-by-episode review of The New Avengers at A View from the Junkyard, and this week we're up to "Sleeper," a game of tag that's played for the highest possible stakes: if you get tagged, you die.

In case you weren't aware of it, the television world has been up in arms over the last few days over the move by Warner Bros. to remove their classic theatrical cartoons—Looney Tunes—from WB's streaming service, Max. Terence has his take on it at A Shroud of Thoughts.

I've never liked the "amateur detectives" that the British are so fond of; on the other hand, I have great respect for many of their police dramas, especially the older ones. Cult TV Lounge takes us back to season one of Van Der Valk, starring Barry Foster, based on the characters created by Nicolas Freeling. TV  

January 24, 2025

Around the dial




In case you missed it, I appeared in back-to-back episodes of "American TV" with Dan Schneider, both featuring staples of 1960s and '70s Saturday morning television; the first is about Sid and Marty Krofft, the second looks at the work of William Hanna and Joseph Barbera. Fun to do and, I hope, fun to watch. 

At Bob Crane: Life and Legacy, the authors provide evidence to refute some of the many false claims about Bob's life, particularly his marriage to Patricia Olson (Sigrid Valdis); it's all part of their continuing efforts to tell the true story.

Jack's Hitchcock Project at bare-bones e-zine continues with "The Motive," a third-season story written by Rose Simon Kohn, featuring Skip Homeier, William Redfield, Carl Betz, Carmen Phillips, and an extremely effectve ending.

At Cult TV Blog, John's private detective "season" continues as well, and for once it's a show I've actually watched! It's the gritty series Public Eye, with Alfred Burke outstanding as a Rockford-type P.I. just trying to make a living; this week, it's the excellent episode "The Bankrupt." 

David's countdown of his 50 favorite classic TV characters proceeds at Comfort TV, and this week he turns his attention to Maxwell Smart, played so memorably by Don Adams; could you even imagine anyone else plausibly in this role?

Jordan's in-depth review of The Twilight Zone Magazine returns at The Twilight Zone Vortex, with Volume 3, Number 6, from January/February 1984. Included is an interview with Stephen King, a story by Isaac Bashevis Singer, looks at TZ and The Outer Limits, and more!

At A Shroud of Thoughts, Terence looks back at the sitcom The Jeffersons on the occasion of the 50th anniversary of the show's debut. After an 11-season run on CBS, it's maintained a comfortable home in syndication, and remains one of television's groundbreaking sitcoms.

Travalanche commemorates the birthday of Ernie Kovacs with something I certainly wasn't aware of, not that I'm any kind of Kovacs scholar. It's about the time Ernie and Buster Keaton formed a comedy team, and it's well worth checking out.

Roger's review of The New Avengers continues apace at The View from the Junkyard, with the third episode of the series, "The Midas Touch," which has to do with a contagious disease threatening society, and features another outstanding performance by Joanna Lumley as Purdy. TV  

November 18, 2023

This week in TV Guide: November 18, 1967




Thanks to a typographical error, you almost wound up with another issue this week, which would have been disastrous. Fortunately, however, disaster was averted, which means we're on to another great Thanksgiving issue! Thanksgiving in 1967 was, as it is this year, on November 23, which means this should be a great lead-in to one of the best days of the year. 

Not everyone shares my opinion on Thanksgiving. For some, such a family get-together is a source of dread greater than a turkey watching the farmer sharpening his ax . If you live in such a family, you have my sympathies—you indeed have less to be thankful for than some of us. But if you're looking for a solution to such problems, perhaps you just need to read what Stanley Frank has to say, because he can show you how television makes your Thanksgiving Day better than ever.

The TV Guide writer knows what such family gatherings can be like; the motley collection of relatives, the "opinionated loudmouth determined to impress one and all with his garbled misinformation, the in-laws and the "incessant yakking and bragging of birdbrains on her side of the family who make more money than I do," and the like. The secret, Frank has discovered, is to "create a community of interest that will keep them from each others' throats." And the way that you do that is by turning on the television.

"The incontrovertible truth," he says, "is that TV is the greatest boon to family harmony since the introduction of the second bathroom, and a vigorous defense of this marvelous force for domestic tranquility is long overdue. I mean the rapport TV has brought to family gatherings, especially during the holiday season that is rapidly approaching like a thundercloud." Frank even took the precaution of renting a portable color set to augment his regular black-and-white set. By making sure there's television for everyone, "it unites them in criticism of the show they’re watching. Their hostility is diverted from the host to the performers on the screen." 

Now, if that isn't a recommendation, I don't know what one is. 

True, there are some dangers involved in using TV as such a buffer. "The networks competing for the home audience are loading holiday schedules with so many morning attractions that people come early and turn a dinner invitation into an all-day chomping and guzzling marathon." Last year's specials began at 10:00 a.m. with the dual parade telecasts on NBC and CBS, which, in the Frank household, meant "coffee, Danish, eggs and booze, in reverse order of preference." Then came the football, beginning at 11:00 a.m. with the Detroit Lions and their annual clash. They say the early start is meant to give fans a chance to get home in time for Thanksgiving dinner, but in reality, it's "designed to give freeloaders an early start on heartburn." On balance, however, "the emotional wear and tear saved by TV more than compensates for the extra cost." For instance, the youngsters were drawn to Treasure Island on the second set, which started at 1:30; they were so enthralled "they refused to come to the table." That was a plus.

Further benefits came at 3:00 p.m, with two games on the air, a pro game on NBC and a college tilt on ABC. "It is unclear how the myth originated, but it is an enduring fallacy of American folklore that after overeating at family dinners everyone is in a torpor broken only by gentle burping." The truth is that before television, after-dinner conversation consisted of  "a relentless torrent of such pompous nonsense that even the nitwits could not let it pass unchallenged. One word led to another and the situation deteriorated into a free-for-all of abusive name-calling." But with two games on simultaneously, "guests were so confused shuttling between the two sets to catch both games that they forgot to repay old favors with contempt." 

And now, for dessert, so to speak: the men voted to continue with the Dallas-Cleveland game at 6:00 p.m. In the past, "wives, tired of yelling at their rotten kids and resentful of the fun the men were having, always turned on their husbands and demanded to go home while they, the husbands, were in condition to drive." But the second TV enabled them to tune in to Divorce Italian Style, with Marcello Mastroianni. "The ladies blissfully watched Mastroianni and the gents happily watched Danny Villanueva kick four field goals to win the game for Dallas." That was followed by the CBS Thursday Night Movie, which happened to be Jason and the Argonauts, "a gem of a horror that cleared the joint with occasional groans and retching noises from me. As I said, TV is a wonderful instrument for serenity."

So the moral of the story is that if you're dreading this year's family gathering, try television. It may seem counterintuitive to those who've grown up hearing how TV turns us all into couch potatoes, but trust Stanley Frank: "The family that watches television together stays together." Especially at Thanksgiving.

And by the way, if you're wondering what's TV has to offer on Thanksgiving Day, 1967, tune in on Monday; as I've done in the past, Monday's listings will be from Thanksgiving, and I'll have all the details on parades, football, and more! But even without it, there's a lot to watch this week, as you'll soon find out.

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Throughout the 60s and early 70s, TV Guide's weekly reviews were written by the witty and acerbic Cleveland Amory. Whenever we get the chance, we'll look at Cleve's latest take on the shows of the era. 

A few years ago, Cleveland Amory described Raymond Burr's performance as Perry Mason as "too businessmanish." The great man is now ready for two large helpings of crow, for Burr's performance in NBC's Ironside is, in a word, "magnificent." "Playing San Francisco police detective Robert Ironside, a man confined to a wheel chair, he is, in character range, far from confined, and with the same ease with which he manipulates his chair he moves from fury to fun and from cynical curmudgeon to philosophical elder statesman." 

But don't think that the producers have left Burr to do all the heavy lifting himself; they've surrounded him with a strong supporting cast: Don Galloway as Detective Sergeant Ed Brown and Barbara Anderson as policewoman Eve Whitfield; both of them seem to be impossibly good-looking, but you soon discover that they're both very good at their jobs, and "as taut and exciting as the boss." And you might think that Don Mitchell, as Ironside's aide Mark Sanger, is "in the show merely for the sake of being," but you'll quickly find that "his performance is both different and convincing." All in all, Cleve writes, credit show creator Collier Young for "bringing exciting originality to a tired field."

So far the episodes have generally been excellent, with top-notch guest stars. One such show, featuring John Saxon and Don Stroud as a pair of escaped killers, culminated in "as exciting a scene as we've seen this year." Ironside is rarely mentioned in the pantheon of classic programs from the 1960s and 70s, yet it has a legacy that continues to this day; it was spoofed and parodied by the shows of its time (always affectionately), and Quentin Tarantino used a sample from the Ironside theme in the Kill Bill movies. You might recall a while back I featured several guest pieces on Ironside from Stephen Taylor, and his reviews were often as positive as Amory's. For me, Raymond Burr will always be Perry Mason, but I imagine that for others, he's remembered first as Robert Ironside. Either way, it's a testament to the man, his supporting cast, and those behind the scenes, that he's remembered for not one but two long-running successes.

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On the topic of football, I'll admit to being puzzled by this description of Saturday's game between UCLA and USC (1:30 p.m., ABC). According to the listings, the teams may be playing for "the highest stakes ever in a college game." Now, it's true that this is a very big game; UCLA is undefeated and ranked #1 in the country, while once-beaten USC is ranked #4; the winner of the game will go to the Rose Bowl; and the teams' best players (quarterback Gary Beban of UCLA and running back O.J. Simpson of USC) are the two favorites to win the Heisman Trophy as player of the year. There's also the unofficial championship of Los Angeles on the line.

And yet: "the highest stakes ever"? You'll pardon the confusion, but it was almost one year ago to the day (November 19) that Notre Dame played Michigan State in what was being called the "Game of the Century." Notre Dame was undefeated and ranked #1, while Michigan State was undefeated and ranked #2. And while it's true that neither team could go to a bowl game (Michigan State was ineligible, having gone to the Rose Bowl the previous season, while Notre Dame didn't play in bowls at the time), the stakes were much higher: the national championship, which would undoubtedly go to the winner of the game. The number of press credentials issued for the game was higher than for any game ever played at the time (and would go on to include the first few Super Bowls), and an unprecedented demand to watch the game led ABC to tape-delay it to any part of the country that didn't get to see it live. (It also had the largest audience ever to see a college football game on TV.) As I wrote about here, the game changed college football forever, and as big a game as USC-UCLA was, I can't countenance putting it in quite the same category.*

*For the record, Notre Dame and Michigan State tied 10-10, giving Notre Dame the national championship. In a game that was nearly as close, USC defeated UCLA 21-20, on the strength of a missed extra-point.

The highest stakes ever? Granted, it's true that memories are short; there would be another, and better-remembered, Game of the Century played in 1971 between Nebraska and Oklahoma, but I'd have thought the memory would have lasted at least a year.

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There's more to Saturday than football, though. There are, for example, two absolutely powerhouse movies on in the late night slot. At 10:30 p.m. on KGO, it's the unforgettable Hitchcock shocker Psycho, with Anthony Perkins and Janet Leigh. An hour later, on KPIX, it's "the most powerful film yet on TV," The Pawnbroker, starring Rod Steiger. To have two great movies like these on local television—well, that's what TV used to be like. And to have them on at nearly the same time is what VCRs were made for. But there's more! Earlier in the evening, KOVR is showing The Magnificent Seven (6:30 p.m.), with a magnificent cast headed by Yul Brynner, Steve McQueen, and Eli Wallach. What a night for classic movie lovers—and you didn't even need TCM to achieve it. 

On Sunday, Debbie Reynolds features in her first special, "And Debbie Makes Six!" (8:00 p.m., ABC), with five fabulous guest stars: Bob Hope (confirming my suspicion that Hope appears in every variety special that's ever appeared on television), Jim Nabors, Bobby Darin, Frank Gorshin, and Donald O'Connor (who co-starred with Debbie in Singin' in the Rain). That's a pretty good lineup, even if it does pre-empt The FBI. And we can't forget Ed Sullivan this week (8:00 p.m., CBS); his guests are Eddie Albert; George Hamilton who does a song-and-dance number; Diana Ross and the Supremes; and the Temptations; Flip Wilson; George Carlin; Apache dancers Evon and Astor; and the Muppets. On film: Rex Harrison in a scene from Dr. Doolittle.

Monday, Pernell Roberts reminds us of just how successful his departure from Bonanza was with a guest-starring role on Gunsmoke (7:30 p.m., CBS). Yup, trading one big-time Western for another; I'm not so sure just how good an idea that was. Elsewhere, Sammy Davis Jr. pulls double-duty, first on Danny Thomas's dramatic anthology series (9:00 p.m., NBC), where he plays a World War II soldier wondering if the fellow GI who befriended him (Henry Silva) is really a German spy; then as a guest on The Joey Bishop Show (11:30 p.m., ABC). If you want to catch him on the latter, though, you're going to have to pass up yet another outstanding late-night movie—The Maltese Falcon (11:30 p.m., KPIX in San Francisco), with Humphrey Bogart as private detective Sam Spade, and Mary Astor as the woman he won't play the sap for.

On Tuesday, NBC airs a made-for-TV flick, The Outsider (9:00 p.m.), a pilot for next season's series of the same name, starring Darren McGavin as an ex-con-turned-private detective. Although it was well-regarded by many critics, who welcomed the departure from the smooth, well-dressed jazz detectives we'd become accustomed to, it will run for 26 episodes before departing these mortal coils. And a couple of specials at 10:00 p.m. vie for your attention: on CBS, it's "Gauguin in Tahiti: The Search for Paradise," a documentary recounting the painter's time in Tahiti, narrated by Charles Kuralt, with Sir Michael Redgrave as the voice of Gauguin. Meanwhile, ABC pre-empts The Hollywood Palace (and whose stupid idea was it to move the show from Saturday to Tuesday?) for One-Night Stands, a look at the lives of performers who make their livings touring from city to city. Featured performers include Johnny Rivers, Woody Herman and his Swinging Herd, and the 5th Dimension; Bing Crosby, who knows a thing or two about life on the road, is the narrator.

Wednesday is the fourth anniversary of the assassination of John F. Kennedy, a fact that is commemorated by a Kennedy documentary (9:00 p.m., KTVU in Oakland) narrated by Cliff Robertson, with added insights by Jim Bishop, author of The Day Kennedy Was Shot. On a lighter note, the King Family celebrates Thanksgiving with the first of five holiday programs (7:30 p.m., KXTV in Sacramento). And the Kraft Music Hall goes Country this week, with Dinah Shore hosting "The Nashville Sound" (9:00 p.m., NBC), aided by Ray Charles, Eddy Arnold, Johnny Mercer, the Everly Brothers, and the Stoney Mountain Cloggers.

In Thursday's non-Thanksgiving programming, Cliff Robertson returns, this time as John F. Kennedy, in a rerun of PT 109 (9:00 p.m., CBS), the story of JFK's time as a World War II PT-boat skipper. Judith Crist calls the movie "a kind of comic-book-version-of-history-for-slow-readers," and mentions that when the movie was originally broadcast, she'd described it as "an adventure movie that would appeal to 10-year-old boys of all ages," only to receive objections from 10-year-old boys who thought the age limit should be lower. This movie was released in theaters during Kennedy's lifetime, so don't expect any exploration of the actual circumstances surrounding the sinking of Kennedy's boat. And on Batman (7:30 p.m., ABC), Rudy Vallee and Glynis Johns star as Lord Ffogg and Lady Penelope Peasoup in the first part of a mediocre three-part story that somehow contrives to put Batman, Robin, and Batgirl in "Londinium."  

On Friday, it's ABC's annual day-after-Thanksgiving Cartoon Festival, running between 9:30 a.m. and 2:00 p.m. It's one of the things that I miss most about Thanksgiving week, even though I might not have watched any of these cartoons; there was something special about seeing Saturday morning cartoons on Friday that reminded you that this was a bonus day, an extra Saturday if you will, on top of everything that happened yesterday. Of course, one reason why it's not done today is because the networks don't show cartoons on Saturday morning anymore. As a matter of fact, I don't think they show anything on Saturday morning anymore; they leave it to the local stations and their lame E/I programs. Ah, another golden memory gone; I guess college football serves the same function today. In primetime, NBC pre-empts Star Trek (note to programming: in the future, don't pre-empt the program on the cover of this week's issue) for a repeat broadcast of Singer Presents Herb Alpert & the Tijuana Brass (8:30 p.m.), which the ads promote as "the most popular hour special in TV history!" Now, whether they can actually prove that statement or not is, I suppose, questionable, but there's no question that Alpert & Co. were as popular as any group around back in the late 1960s. It's also a great time to be selling sewing machines.

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As you probably know by now, we at It's About TV! are dedicated to examining classic television through the microscope of American culture, and nothing could be more American, though lacking in culture, than the Hippie. So we'd be remiss if we passed up Robert Higgins' examination of what Hippies think of television, the ultimate instrument of the establishment? And, perhaps surprisingly,  "the tuned-out generation is as tuned in to TV as Ernest Establishment and Company." This insight comes to us courtesy of "combing through a horde of hippie pads," and interviewing representative members "ranging from spokesmen such as poet-writer-musician Ed Sanders of The Fugs, a singing group, to hippie rank-and-filers like Richie (he’s dropped his last name), a former Ashbury-based Digger." Their verdict: "the boob tube was the grove tube." 

The psychedelic artist Peter Max, for instance, sees television as "almost spiritual," while Ed Sanders calls it "hypnotic," and adds that "It’s part of life—like toothpaste and cancer." His bandmate, Ken Weaver, watches TV "all the time." "I watch movies all night, and at 6 a.m. I start the day with Modern Farmer. That’s groovy—all about cattle diseases." (Funny, I never thought about Modern Farmer that way when I was living in the World's Worst Town™.) And Village Voice staffer Don McNeill thinks TV is a "fantastic medium. You can find out where America’s really at by watching TV." Which is what I've been saying here for years.

Hippies don't pay much attention to the fact that they're often portrayed on television in a negative light. And, oddly, they aren't offended by the materialism implicit in the commercial medium; "[t]hey often dig the commercials more than the programs." Richie says it's because they're on to the "hucksters' hoaxy ways," but Weaver has perhaps a more practical explanation: "When you’re stoned you don’t get so mad at them. Even the soap -commercials. You figure, what the hell; soap’s to wash dirty clothes, man. They can’t make that romantic." They're not always stoned while they're watching, though. "One of the grooviest ways to watch TV," Sanders says, “is to turn on a series like Gunsmoke, turn the sound off and put on a Beatles or, better still, a Fugs record." Hippies also don't seem to mind the violence that infests so much of television. "If people want it," says Sanders, "I say slap it to them. I'm democratic." Adds McNeill, "Hippies aren't particularly anti-violence. Most aren't put off by it." 

Even though Hippies are masters of the put-on, they seem to be sincere in their admiration of television. "Young Hippies aren’t going to put down TV," Sanders tells Higgins. "It’s like going to church for them, They’re products of the middle class. Their parents have made sure they can plug back in whenever they want to. They can plug back into the Long Island railroad, the commuter card or TV. Those who haven’t already plugged back in will do so eventually. They'll go back to Jersey and marry the dentist. The only difference is that they’ll turn the dentist on to grass."

As for the influence that Hippies will have on the future of TV, Sanders thinks it will be substantial. "TV is one generation behind. Today's kids will have a lot of power—and they're not going to be buying a lot of what's on TV." Did that come to pass; is that reflected in the television of the 1970s and 1980s? If you see the evolution of television as a linear progression, that would explain a lot.

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MST3K alert: Dressed to Kill
(1946) When banknote plates are stolen from the Bank of England, Sherlock Holmes is called onto the scene. Basil Rathbone, Nigel Bruce, Edmond Breon. (Sunday, 11:15 p.m., KRON in San Francisco) OK, I'm cheating a bit this week; this is actually part of Rifftrax, the spinoff from Mystery Science Theater, featuring two of the stars from MST3K, Bridget Nelson and Mary Jo Pehl. And we don't usually get to see movies that are, well, not bad. But there's still a lot of humor to be mined from the Rathbone-Bruce movies, and don't forget the biscuits! TV  

November 17, 2023

Around the dial




Xt bare•bones e-zine, Jack's Hitchcock Project leads off this week, with "Safe Conduct," Andrew Solt's first teleplay for the show. It's a Cold War thriller from the first season, starring Claire Trevor, Jacques Bergerac, and Werner Klemperer, and Jack's point about it helping if you know something about the political climate of the time shows how important context can be when it comes to television.

There's a "When I was your age" joke about how for people of a certain age, the TV remote control was their son or daughter getting up and changing the channel for them. In fact, however, the wireless remote control goes back to the mid-1950s, as we can see from a Zenith ad for the Flash-Matic, courtesy of the Broadcast Archives.

John's still in the 1970s at Cult TV Blog, and today he's looking at Special Branch, the domestic espionage series that ran on British television between 1969 and 1974. The show can be viewed as having had two distinct versions, each running for two series and having the same premise, but completely different casts and sets. I've seen episodes from the original version; worth checking out.

At The View from the Junkyard, Mike's review of Star Trek: The Animated Series brings him (and us) to "Mudd's Passion," the third appearance (including the original series) of Harcourt Fenton "Harry" Mudd, the comic relief scoundrel. It's a great episode, but Mike does wonder if it was appropriate for Saturday mornings. If you've seen it, what do you think?

Travalanche pays tribute to Gordon Lightfoot's legendary ballad "The Wreck of the Edmund Fitzgerald," which has absolutely nothing to do with television, classic or otherwise, but gives me an excuse to talk about Tommy Mischke, a Twin Cities radio host who once interviewed an expert on the wreck by singing all the questions to the tune of the song. Don't believe me? Listen for yourself.

Television's New Frontier: The 1960s moves to the 1962 season of The Bullwinkle Show, one of the funniest, cleverest, and most subversive shows, animated or otherwise, ever to air on television. Perhaps the show had peaked by 1962, which comprised the end of Season 3, all of Season 4, and the beginning of Season 5, but I think it was still going great guns anyway.

Rick Goldschmidt is the official Rankin/Bass historian, and this week he talks about all the problems with the recent Rankin/Bass Christmas Blu-ray and DVD releases, and why you should stay away from them—far away. You have to wonder: just how difficult would it have been to get this right in the first place? And it isn't as if this is the first time something like this has happened.

At A Shroud of Thoughts, Terence pays tribute to Robert Butler, the director responsible for the pilots for both Star Trek, Lois & Clark, and Hill Street Blues, co-created Remington Steele, and directed—well, just about every television show you can think of in a career that stretched from the the 1950s to 2009, including the first episodes of Hogan's Heroes, Batman, Moonlighting, and others. What a career!

And speaking of losses, Ken Squier, the longtime voice of NASCAR on television, died Wednesday night at 88. I've spoken often of "big-game" announcers in sports, and when it comes to auto racing, Squier certainly belongs in that group; his warm voice and good humor, combined with a genuine love of the sport, landed him in the NASCAR Hall of Fame and won a place for him in the hearts of racing fans. As Ryan McGee points out in this tribute at ESPN.com, he was the consummate storyteller in a sport full of great stories. TV  

April 28, 2023

Around the dial




Earlier today, I guested on the Dan Schneider Video Interview, talking with Dan about the 1963-65 version of The Outer Limits. The link is here; as promised, I performed a massive upgrade on the video from my side, so feel free to watch it this time! I don't think I did as good a job as I did on my last appearance, but perhaps I'm being overly critical. I had a great time nonetheless.

At Comfort TV, David takes a fond look back at Blondie Street, the Warner Bros. street where you could find the homes seen on The Partridge Family, Dennis the Menace, I Dream of Jeannie, and other favorites from our youth. They've started tearing them down now; another part of our heritage disappearing. Be sure to read about it.

John's at it again at Cult TV Blog, with another bizarre show from 1970s British TV: The Pink Medicine Show. It's a comedy sketch show involving and written by doctors; some compare it to Monty Python, but it sounds to me as if it defies a neat description, so see what John has to say about it.

Remember the PBS series Alive from Off Center? It ran for twelve seasons, concluding in 1996. At the Broadcast Archives, it's a look at some pictures from "A Tribute to Georges Méliès," a 1989 episode in which "the silent film pioneer's lost scriplts were reinterpreted by modern filmmakers." Hopefully it encourages you to read more about the series.

Another sterling Aventers review from Roger at The View from the Junkyard; this time, it's the episode "A Surfeit of H20," a rare Avengers story that's pure science fiction: what happens when someone starts controlling the weather? It might not be as ridiculous as it seems. . .

Travalanche looks at the contributions of Universal studios to the world of animation, which centers on a character so many of us were introduced to on television when we were kids: Woody Woodpecker. Find out more about Woody's creator, Walter Lanz, and the impact made by his creations (more than just Woody!).

The great Harry Belafonte died this week, aged 96. He was one of the most influential entertainer/activists, with a talent for acting, music, and raising awareness of civil rights. At A Shroud of Thoughts, Terence looks back at his career, which included many appearances on television, including a memorable week as host on The Tonight Show.

Drunk TV is back, as Paul reviews a live-action Hanna-Barbera series! It's Korg: 70,000 B.C., and the complete series of this Saturday morning show was released on DVD a few years ago. Was this a favorite of your childhood? Wondering if it might be for you? See what Paul thinks.

Oh, and the picture at the top? If I'm not very much mistaken, that's a pregnant Jackie Kennedy watching her hubby being nominated for president at the 1960 Democratic Convention, back when political conventions meant something. You don't see pictures like this anymore. TV