December 29, 2012

This week in TV Guide: December 29, 1973

Ah, what an issue. We have the end of one year and the start of another, the early days of one New Year's Eve tradition and the waining days of a second, and a whole raft of bowls, including one of the greatest college football games ever played.


First, the football.  As I alluded to in my article earlier this week, years of segregation (officially or unofficially) had left the Sugar Bowl as the weakest of the Big Four New Year's games, and by 1973 ABC had moved the game to New Year's Eve, in an effort to build an audience apart from the Cotton Bowl on CBS, against which the Sugar Bowl was usually shown.* This year would be different, though, as the game hosted a marquee matchup for the ages: top-ranked, undefeated Alabama vs. third-ranked, undefeated Notre Dame for the national championship.**

*Until 1965 the Orange Bowl had been an afternoon game as well, meaning that all three - Sugar, Cotton and Orange - were more or less on opposite each other, giving the Rose Bowl, then as now, clear sailing.

**Second-ranked, undefeated Oklahoma was on probation, making them ineligible for a bowl game.  It was understood that if Notre Dame defeated Alabama, they would leapfrog the Sooners into the number one spot.

It had been dark and rainy during the day, with tornado warnings in the area, and at one point ABC sports head Roone Arledge allegedly wondered out loud if he might be able to persuade the two schools to postpone the game for a few days, so that the weather wouldn't play a factor.  Absurd, I know - even he didn't have that kind of power back then.  (Today, who knows?)  At any rate, the moment passed and the game kicked off as scheduled. The lead seesawed  back and forth, and late in the fourth quarter Notre Dame, nursing a slim one-point lead, found themselves staring at third and long from inside their own five-yard line. In a daring bit of play-calling, the kind that wins national championships, Notre Dame QB Tom Clements, from his own end zone, hit Robin Weber on a play-action pass for 35 yards and the first down. Notre Dame would hang on to win this magnificent first-ever meeting between the two college giants, 24-23, and claim the national championship. 

The next year the two teams would meet again, this time in the Orange Bowl.  Alabama was again undefeated and top-ranked; Notre Dame was an also-ran at 9-2, but in Ara Parseghian's final game as coach, the Irish would beat the Tide again, 13-11.

Notre Dame vs. Alabama for the national championship.  Sounds familiar, doesn't it?  I wonder who's going to win this time?


The 1974 Rose Parade on independent WTCN
A great lineup for New Year's Day.  CBS kicked things off at 9:00am CT with the Rose Parade preview, featuring hosts Bob Barker and June Lockhart and Grand Marshal Charles Schulz.  NBC countered with the Junior Orange Bowl Parade (the King Orange Jamboree Parade had been shown the previous evening), followed by their own parade preview show, hosted by Doc Severinsen.  At 10am CBS was back with the Cotton Bowl Parade, while independent Channel 11 carried the syndicated Rose preview show, which I'm guessing might have come from KTLA in Los Angeles.

The bowl games started at 1pm, with the Cotton Bowl on CBS.  (Nebraska 19, Texas 3), followed at 3:45 with the Rose Bowl on NBC (Ohio State 42, USC 24), and concluded with the nightcapper, also on NBC, the Orange Bowl (Penn State 16, LSU 9).  Back then college football games didn't run four hours; NBC even scheduled a recap of the day's coverage for 9:45, before the local news.


More sports?  A quadruple-header of college football on Saturday: in the afternoon it's the Sun Bowl on CBS (Missouri 34, Auburn 17), the Astro-Bluebonnet Bowl on ABC (Houston 47, Tulane 7) and the East-West Shrine Game on NBC (East 35, West 7); ABC has the nightcap, the Gator Bowl (Texas Tech 28, Tennessee 19).

Sunday belongs to the pros, with the NFC and AFC championships.  In the NFC, Minnesota defeated Dallas 27-10, while in the AFC it was Miami over Oakland by the same score.  The Dolphins would defeat the Vikings in the Super Bowl two weeks later, the second of the Vikings' four defeats.  By contrast, this year the NFL's regular season won't even be done on December 30.

Here's something else that's changed: the NHL played hockey!  The local game was the Minnesota North Stars vs. the New York Rangers on Sunday night (Rangers won, 4-3) and NBC presented a special Friday night edition between the Rangers and the Boston Bruins (the Rangers won that one as well, 4-2).


And now the news.  In The Doan Report, Rhode Island Senator John Pastore calls again for hearings on television violence.  Like that did a lot of good.  And there's a new movement to curb the proliferation of network reruns.  In favor: unions, who hope that more episodes will increase studio employment.  Opposed: the networks, who claim that cutting back on reruns would pose a significant financial hardship.

Speaking of episodes, the new year used to introduce what was called the "Second Season," when the networks introduced their first wave of replacements for their failed shows, and so a number of series make their swan songs this week: Tenafly and the anthology Love Story on NBC, and Roll Out! on CBS.  Roll Out! was the  network's attempt, some thought, to copy M*A*S*H's  success with World War II, while Tenafly was notable for being one of the first series to feature a black in the lead role, with James MacEachin as a former police detective turned private eye.

And with the shifting of the schedules, a few favorites prepare for new timeslots.  ABC's Toma, which would become Baretta next season, prepares to move from Thursday to Friday to make way for two new series, Chopper One* and Firehouse.  Neither would make it past the Second Season.  Owen Marshall, Counselor at Law is also on the move, from its Wednesday time to Saturdays.  An upcoming CBS series, Dirty Sally, is previewed on Gunsmoke.  That one didn't go far, either.

*A type in TV Guide rendered this series "Hopper One."  Perhaps that's why they weren't able to find an audience; the audience wasn't able to find the show.

And then there's a series that did make just a little splash.  On PBS' Masterpiece Theatre, a postscript indicates that "Next week: 'Upstairs, Downstairs,' a 13-part drama about life in Edwardian England" will begin.  As I recall, that went over a bit more than those other series...


A while back, reader JB suggested we expand our "Sullivan vs. The Palace" feature to include a couple of the definitive 70s-era music shows: NBC's The Midnight Special and ABC's In Concert. Both shows aired on Friday nights after the late local news, and both premiered in 1973; Midnight Special on February 2 and In Concert on November 24.  Of the two, Midnight Special would have the more lasting fame, running until 1981 and remaining available through best-of DVD sets, while In Concert, running every other week as part of ABC's Wide World of Entertainment, departed these mortal broadcast coils in 1975.  With that said, let's take a look at what each show had to offer on the first Friday of 1974.

The 90-minute Midnight Special featured a compilation show spotlighting million-seller artists, including the Edgar Winter Group, Jim Croce, Loggins and Messina, Al Green, Curtis Mayfield, Billy Preston, Gladys Knight and the Pips, Dr. Hook and the Medicine Show, the O'Jays, and Gilbert O'Sullivan.  The hour-long In Concert countered with Seals and Crofts, Jessie Colin Young, Eddie Kendricks and Walter Heath.

This isn't really a fair fight; Midnight Special is cherry-picking its best acts from the year, so it isn't hard to assemble an all-star cast.  Nevertheless, when your big guns are Seals and Crofts, you're in trouble.  The verdict: the clock strikes twelve for In Concert; a special night for the winner, The Midnight Special.

I'll offer this matchup whenver the occasion arises, and as a bonus I'll throw in the syndicated Don Kirshner's Rock Concert whenever it's in the listings.


And since we're on the subject of comparisons, there was something else on Monday night besides the Sugar Bowl - the battle of the network New Year's Eve programs.  On NBC it's the second edition of Dick Clark's New Year's Rockin' Eve*. which comes from the ballroom of the Queen Mary in Long Beach, CA and features host George Carlin, Billy Preston, the Pointer Sisters, Tower of Power and Linda Ronstadt, with a live cut-in to Dick in Times Square as the new year approaches.

*Yes, you read that correctly.  The first two New Year's Rockin' Eve shows were telecast not on  Clark's longtime partner ABC, but on NBC.  In 1972 the show was called Three Dog Night's Year's Rockin' Eve, hosted by - appropriately enough - Three Dog Night, and also taped on the Queen Mary.  Beginning in 1974, the show would add Dick's name to the title and would move to ABC, where it remains to this day.

Ironically, ABC's Wide World of Entertainment would counter-program that night with American Bandstand's 20th Anniversary Show, starring - of course - Dick Clark.

Meanwhile, on CBS Guy Lombardo and his Royal Canadians would make their 18th consecutive New Year's Eve appearance on TV, having started on CBS radio in 1929.  Guy's sole guest was singer Barbara McNair.  Among the pieces the Royal Canadians would play that night, besides "Auld Lang Syne": "Bad, Bad Leroy Brown."  This clip is from three years later, but I think you get the picture.

Channel 4, the CBS affiliate in Minneapolis, always tape-delayed Lombardo's show so that it would ring in the new year at midnight Central time.  To fill in the gap until Lombardo's show started, local children's TV host John Gallos would host an annual airing of Laurel and Hardy's The Music Box.  To this day, I'll associate The Music Box with New Year's Eve.


And that kid on the cover?  That's "Mason Reese, 7-year old huckster."  Back in the early 70s, Reese was ubiquitous on television, appearing on commercials for Ivory soap, Post Raisin Bran, Perdue chicken, Underwood chicken spread, the Zayre store chain, and more.  If he wasn't pitching products, he was chatting it up with the likes of Dick Cavett and Mike Douglas.

When asked how he liked the business, he replied, "It's fun.  You get to travel around and meet lots of important people and shoot crap with the cameramen." TV  


  1. Which is entirely ironic. Looked at the television schedule, and with Pay-TV holding all the games (save the Cotton on Fox and Sun on CBS), even the King Orange Parade was taken out because the games no longer controlled television deals. Not even the Tournament of Roses is televised on network television.

    In fact, CBS will air their normal plate of daytime dramas and game shows, all with new episodes. NBC is blocked because of restrictions caused by Donald Fehr. ABC will become the ESPN Broadcast Network and air all of one game. New Year's night will consist of normal shows.

    How far have we lost the special effect of New Year's now. And the new playoff system may mean Pay Per View after ESPN's new 12-year deal. College football may soon go the way of boxing.

  2. NBC still carries the Rose 🌹 Parade today, as does ABC.

  3. The clip from the December 31, 1976 Guy Lombardo special is ironic, since it was the last such show he would ever do.

    He passed away in the fall of '77.

    1. How is it ironic? A bit sad perhaps, but ironic?

  4. Regarding the 7 year old huckster, Mason Reese would actually have been 8 years old in December of '73.

    The early 70s still had enough charm to them to justify a bit of nostalgia. The latter 70s however warrant no warm feelings whatsoever.

  5. The Rose Parade on WTCN was likely fed from KTTV Los Angeles, which like KTLA televised the parade for decades locally, until the late 90s. The two were Metromedia-owned stations at the time.


Thanks for writing! Drive safely!