This week in TV Guide: June 10, 1972

In the midst of television's infatuation with Upstairs, Downstairs, The Six Wives of Henry VIII, Elizabeth R, and other prestigious British costume dramas, it seems appropriate to remind viewers that "British television is not all kings, queens and high-flown drama." There is, for example, science fiction, an example of which is the long-running (now in its ninth season) series Doctor Who, about to make its debut in American syndication this fall. 

The episode in question in this week's article is "The Sea Devils," and with its over-the-top story of sea monsters trying to reconquer the Earth. It's a prototypical Who story for those of us in the know, but for readers whose idea of British television was Masterpiece Theatre, I can only imagine what they must have thought of the article's attempt to explain the storyline, not to mention the various eccentricities of the Doctor. At this point in the show's history, the Doctor's ability to travel in time and space had been disabled by the Time Lords; I'm sure that time travel would have pushed some of these readers over the edge.

Doctor Who made its premiere the day after John F. Kennedy's assassination; by 1972 it's on its third actor to portray the Doctor, Jon Pertwee. Pertwee will play the role for five seasons, to be followed by the man who brought the series its greatest fame in the United States, Tom Baker. And it won't be until Doctor Who becomes a staple of local public television stations throughout the nation that the show develops its cult following, one that continues to this day.

From left: the Third Doctor (Jon Pertwee), the Master (Roger Delgado), a Sea Devil, the Doctor and companion
Jo Grant (Katy Manning)

For old-time Whovians like yours truly, it's been difficult to watch the show's decline since its revival many years (and many Doctors) ago. I stopped watching it several years ago, and I've got no particular desire to return to it—if, indeed, the show returns from the hiatus the BBC is reportedly preparing for it. We've been watching the classic episodes from the very beginning over the last year or so, and it's been a pleasant reminder of how much fun it used to be, and how much moral power it carried. I haven't made any secret of my disappointment with the turn it's taken in its reincarnation, so I won't tread the same ground here. Suffice it to say that, back in 1972, there was little indication that the program would still be airing in 2025, through 40 seasons and 15 incarnations of the Doctor. If only we had known!

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From 1963 to 1976, TV Guide's weekly reviews were written by the witty and acerbic Cleveland Amory. Whenever they appear, we'll look at Cleve's latest take on the shows of the era. 

Cleveland Amory's last column of the season is a look at the mailbag, and in typical Amory fashion, the pithy answers to the questions from readers are just as entertaining as the letters themselves. 

Typically, we hear from those who felt Our Critic was a little too hard on their favorite shows and/or stars. For instance, Alan Thomas, of Macon, Georgia, asks Cleve why he was so down on the Tony Curtis-Roger Moore adventure series The Persuaders!, a show which I found quite entertaining, by the way. "I do not like you one bit," Mr. Thomas says. "They are good actors. They have their faults. So does everybody." In defense of the Curtis-Moore duo, Amory replies, "In this show the fault, dear Brutus, was not in the stars." Meanwhile, Donald Parker, of Madison, South Dakota, suggests that Amory's review of McMillian & Wife proves that "Cleveland Amory has a severe case of the cynics." "Yes," Amory responds, "but that's the show that gave it to us." And E. H. Scheckler Jr., of Elizabeth, New Jersey, is more blunt about it all. "I wish that someone would review one of Cleveland Amory's reviews and have him canceled, as so many of these programs have been." Not so fast, responds Cleve: "But wouldn't you get tired of the reruns?" Erika Ela (no address) suggests that Amory have a panel of reviewers to review shows. Ah, but as Amory retorts, "Who do you think we is?"

Not everyone has a bone to pick. Alexander McCormick, of Cape Cod, Massachusetts, wasn't impressed with NBC's coverage of the Winter Olympics in Japan, and wonders what Amory thought. "[T]he announcers and experts were dull and the '[Jack] Perkins Pieces' overrated. I still remember the time they cut away from a terrific fight at a hockey game to a downhill ski race which you couldn't see anyway on account of a snowstorm. And I also remember spending hours on the distance skating, with the same guy [probably the great Dutch triple-gold medal winner Ard Schenk] going around and around. For all we know, he's still going around." Jeannie Adlon of New York City wondered about Cleve's opinion of the recent Emmys telecast. There were too many awards given for single performances, Amory thought; as for the Emmy show itself, "it was awful. It would be easy to produce it right, too—just give us more and longer scenes from the nominations and less junk, bad jokes, long, dull thank yous and bad taste."

Not everything is so negative, though. Mrs. D.E. Woods of Richmond, Indiana says, "I'm 50 years old and I'm in love with three men—my husband, Peter Falk and Cleveland Amory." "Dear Sis," Amory responds, "we thought your letter would never come."

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Movies form a big part of this week's highlights, beginning on Saturday with a repeat of the political thriller Seven Days in May (8:30 p.m. ET, ABC), starring Burt Lancaster, Kirk Douglas, Fredric March, Ava Gardner, and Edmond O'Brien, directed by John Frankenheimer, and with a Rod Serling script that uses large sections of the Fletcher Knebel-Charles Bailey II novel verbatim. If it shakes your faith in government, it reinforces your faith in Hollywood's ability to tell a terrific story that's far more than just a political potboiler. On the more lighthearted side, Once upon a Dead Man (9:00 p.m., NBC) is the pilot for the aforementioned McMillan and Wife; I wonder what Cleveland Amory thought of this? And at 11:30, it's Compulsion, a fictionalized version of the Leopold-Loeb case, with Dean Stockwell and Bradford Dillman as the youthful killers, and Orson Welles brilliant as their Darrowesque attorney.

The features continue Sunday with the "angry young man" drama The Loneliness of the Long Distance Runner (noon, WBZ), directed by Tony Richardson, with Tom Courtney as the reform school student who finds fulfillment, of a sort, through distance running. At 1:00 p.m., it's Jacques Demy's jazz opera The Umbrellas of Cherbourg (WKBG), with the music of Michel Legrand (the movie's biggest hit: "I Will Wait For You"), and starring Nino Castelnuovo and the luminous Catherine Deneuve. In primetime, the great actor of our lifetime, William Shatner, stars as the heavy in Cade's County (9:30 p.m., CBS), as Glenn Ford tries to prevent him from setting off a nuclear warhead. Forget the county; no scenery is safe in this scenario. 

If you thought that we were done with opera after The Umbrellas of Cherbourg, guess again. On Monday, it's the movie For the First Time (7:00 p.m., WTIC), with opera star Mario Lanza, in a nice bit of casting against type, playing—surprise!—an opera star who falls in love with a deaf Viennese girl. If you want something a little more serious, turn to NET Opera Theatre's presentation of Benjamin Britten's magnificent "Peter Grimes" (8:00 p.m., PBS), one of the greatest operas of the 20th century, starring Peter Pears, Heather Harper, and Bryan Drake. But if you want to get back to the movies, I can't think of anything better than the documentary Hollywood: The Dream Factory (8:00 p.m., ABC), an hour-long retrospective of Hollywood's Golden Age, narrated by Dick Cavett.

Tuesday begins with a perceptive episode of The Mod Squad (7:30 p.m., ABC) that looks at the difficulty Vietnam veterans have adjusting to civilian life, as Robert Pine plays a vet who looks at domestic dissidents as "the enemy." There's no telling how he would have treated Cannon's adversary (9:30 p.m., CBS): a cult leader with "an almost satanic influence" over his followers, who include Arthur Rubenstein's son John, June Lockhart's daughter Anne, and Dennis Weaver's son Rick. And Dick Cavett's sole guest tonight (11:30 p.m., ABC) is none other than Jack Paar. 

I always enjoyed the British import The Persuaders! (Wednesday, 9:30 p.m., ABC), starring Roger Moore and Tony Curtis; a pity it only lasted one season. In this week's explosive episode, Tony's walking around with an attache case attached to his wrist, little knowing that while he tries to prevent the "Other Side" from getting it, he's putting his own life in danger: the case is loaded with explosives that could go off "at the shake of a wrist." If you'd prefer something a little more macabre, try out tonight's Night Gallery (10:00 p.m., NBC), which includes "Green Fingers," with Elsa Lanchester as the little old gardener who isn't all she seems.

On Thursday night, NBC kicks off Adventure Theater (8:00 p.m.), one of those summer quasi-anthology series that were so common back then, either failed pilots or, in this case, "a series of dramas from the Sixties," specificially reruns from Bob Hope Presents the Chrysler Theatre, swhich works out well since that show was filmed entirely in color. In this case, it's "The Lady is My Wife," first shown in 1967, and it's notable not only for a fine cast that includes Bradford Dillman and Jean Simmons, but because it's directed by Sam Peckinpah. Expect something that's a little toned down from what we're used to seeing from him in the theaters. Over on PBS, it's NET Playhouse on the '30s (8:30 p.m.), with Dustin Hoffman and Orson Bean in Maxwell Anderson's time-travel comedy "The Star Wagon," which also features Eileen Brennan.

Since we started with movies, we'll finish the same way, with Antonioni's L'Avventura (Friday, 8:30 p.m., PBS), the story of a missing woman that becomes a series of "metaphors for spiritual listlessness." Judith Crist isn't particularly a fan—she describes it as "a difficult, slow-paced film, marked by uneven acting and stolid characters"—but acknowledges the movie's reputation as a "masterpiece." Monica Vitti and Gabriele Ferzetti star in what has subsequently been listed as one of the top ten greatest films ever made.

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I sense something of an underlying theme in this week's features. First, we have Cleveland Amory's second appearance in this week's issue, authoring the cover story on Doris Day. The focus, not surprisingly, is on Dodo's involvement in the animal rights movement, her love of dogs, and her efforts to rescue them from cruel treatment. There's some mention of her personal life, virtually none of her CBS sitcom, although it's hard to imagine that anyone would be turned off from the show based on this very flattering portrayal.

That's followed by a brief story on Eric Knight, the author of a Saturday Evening Post story that's spanned even more years than Doctor Who: "Lassie Come Home," which originally appeared in the Post in 1939 before being expanded into a novel the following year. The book inspired a movie that catapulted its two child actors, Elizabeth Taylor and Roddy McDowall, to a stardom that endures to this day. It also inspired a series, Lassie, that has been a presence on television for 17 years. Lassie Comes Home has recently been reissued by Holt, Rinehart and Winston, at the request of Knight's widow, Jere. It is a timeless story, that of a boy and his dog, isn't it? 

Finally, an animal story that's probably less of a favorite with Cleve: Melvin Durslag's look at the upcoming Belmont Stakes. (Saturday, CBS) It's the longest and most grueling of the three Triple Crown races, and six potential Triple Crown winners (including last year's Kentucky Derby and Preakness winner Canonero II) have failed the test. The challenges are many: the distance, the timing (the three races are run over the course of six weeks), and the excitement of the Triple Crown. It's one of the rare times when horse racing takes center stage on the American sports scene; considering the ratings the races generate, it's often asked why one of the networks doesn't splurge on a weekly Saturday racing show. The answer, says Durslag, is that trainers and owners of the best horses spend too much time avoiding each other to guarantee audience-generating matchups. By the way, this year's Belmont does not carry the potential of a Triple Crown winner, but Riva Ridge, the year's best three-year-old, dominates the race, adding to his Kentucky Derby victory. No need to worry, though; Riva Ridge's stablemate will take the Triple Crown next year. His name: Secretariat. 

(In-between these stories is a form-fitting fashion layout featuring two-time Emmy Winner Susan Hampshire, but that's a different kind of animal altogether.) 

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MST3K alert: The Crawling Eye (English; 1958) In a radioactive cloud lies a tentacled monster, awaiting its victims. Forrest Tucker, Laurence Payne, Jennifer Jayne. (Saturday, 9:15 p.m., WKBG) One of Forrest Tucker's finest roles (and I'm not being sarcastic) sees him as a UN consultant investigating mysterious goings-on at a village in the Alps. Two of the most notable members of the supporting casts aren't listed here: Janet Munro, who enjoyed a very successful film and television career, including three Disney movies; and Andrew Faulds, who goes on to star in the UK series The Protectors before serving more than 20 years as a Labour member of Parliament. TV