September 29, 2021

Television with (Golden) Balls

The brilliance of television, and the tragedy, lies in its uncanny ability to reflect in its tube the essence of human nature. Nowhere is that more apparent, for better or worse, than in reality television, which isn't really real at all—except for when it is.

I was reading an article from a few years ago by Joe Posnanski, one of the best sports writers around, and while he may be an unlikely source of information for a TV website (although I think by now you'll agree that I can find inspiration from just about anywhere), he provides a brilliant insight into just how television does this. It concerns a British game show called, believe it or not, Golden Balls. It's a really good piece, and I would have linked to it even if I didn't have one thing to add to it. In fact, I think you should stop right here and read it now. If you don't, though, I'll give you another chance later.

As we learn from the always-reliable Wikipedia, Golden Balls was a show that tested every facet of human emotion—trust, greed, betrayal, passivity, lust—and did it all under the naked lights of a television studio. The premise was simple enough, as Posnanski describes, starting with a team of two contestants. "[They] would open these, well, golden balls and build up money in what was sort of a joint bank account. It’s actually a bit more convoluted than that, but for the point in this post that doesn’t really matter. Just know that money gets piled up."

At the end of the show, with the two having amassed something between £10,000 and £120,000, the denouement comes. Each of the contestants is presented with two golden balls to choose from. One says "Split," the other "Steal." The contestants know which ball is which, so there's no confusion there. Each one of them chooses a ball, in a variation on the old Prisoner's Dilemma. One of three things then happens:

  • If they both choose to split the money, they will split the money.
  • If one chooses to split the money and the other chooses to steal, the stealer gets everything.
  • If they both choose to steal, nobody wins any money.

When the big moment arrives, you can cut the tension with a knife. It exposes, Posnanski says, "the stark and bare humanity" of our lives. Most of the time the two players agree in advance that they're going to choose "Split"; after all, half of the prize is better than nothing. But what if one of them gets greedy? That's where the psychology comes in. If you can convince your partner that "Split" is the only logical choice, and then choose "Steal" yourself, you get everything. But if your partner is overcome by a case of the greeds and goes for "Steal" as well, thinking that he's going to outsmart you, then each of you winds up with nothing. The only safe, logical choice, therefore, is "Split"—but, as most of you are probably thinking, a man doesn't become rich by playing it either safe or logical. Particularly, when money is concerned, by being safe.

The whole thing is a fascinating, grotesque look at the human psyche. Posnanski focuses on one particular episode involving two gentlemen named Ibrahim and Nick, in what could serve as a master class in psychology, running the gamut of all those emotions I listed above, but centering on trust and greed. You see, unlike most contestants, Nick tells Ibrahim outright that he's going to steal. But—and here's where it starts to get interesting—he adds that if Ibrahim will just choose split, allowing Nick to get all the money, then heNick—promises that he will, in fact, split the money with Ibrahim 50/50, as if they had both chosen split.

See the difference? Instead of Nick appealing to Ibrahim’s essential goodness like everyone else does, he challenges Ibrahim’s fury. OK, he’s basically saying, I’m telling you straight out I’m going to steal. I know that ticks you off but, frankly, I can’t help that. I’m stealing. Now, what are you going to do? How badly do you want to punish me for choosing steal? Are you so angry that you will choose steal yourself, assuring that neither of us will get a dime? Or will you choose split and take the chance—however low you might believe it to be—that I really will give you half the money?

Posnanski discusses this in quite a bit more detail which I won't repeat here—he's a much better writer than I am, you'll enjoy his account more—but suffice it to say I found the whole thing spellbinding, if not absolutely brilliant.  (You can also see it play out for yourself in this YouTube clip.)

And here's the point of it all, the reason I brought this up in the first place (besides sharing a piece I really liked). Since the beginning of this blog I've talked about how television is an indicator of our culture, our society. It shows us our DNA. No matter what people might say about television influencing the viewer, it's clear to me that most of the time it merely magnifies what's already there. A schemer on Survivor or Big Brother isn't going to be any less of a schemer in real life; television merely gives him or her the chance to magnify that trait in front of a national audience. Granted, reality TV can create a monster, but I'm willing to bet that nine times out of ten it's a monster that was already in there, in the psyche of that individual; the id, the libido, the ego, what have you. Woe be to the producer that magnifies or exploits that particular trait, for they may well find it better had they never been born. But all the same, it's probably true that there's more "reality" in reality TV than we'd like to think.

I'm assuming that by now you've read Posnanski's piece and watched the clip of Ibrahim and Nick, but if you haven't, that's all right—I'll wait until you've caught up. Go ahead.

(Sound of absent-minded humming, toe tapping.)

All right, everyone back? What did you think? Was not that one of the greatest examples of psychology you've ever seen on television? I don't want to read too much into it, or exaggerate its importance*, but I thought there was a deep existential element to the whole thing, an exploration of the meaning of trust that goes far beyond what you're likely to see in most scripted programs.

*Exaggeration: something I never, ever, ever do.

I'm not advocating that we all become reality television fans; that's probably the one and only episode of Golden Balls that I'll be checking out, at least anytime soon. But this particular example, and Posnanski's retelling of it, is utterly fascinating. It is as good an example as we're apt to see of the way television can show us what we're all about. I would like to think that the best drama, and even the best comedy, can still do that; unfortunately, at least on the networks, it often doesn't. But, at least in this case, it's given us storytelling every bit as gripping as anything you'll see in scripted TV. TV  

1 comment:

  1. GSN had a game show called FRIEND OR FOE about 20 years ago now built on this same premise. I hated the idea and rarely if ever watched the show.


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